An Abridgment of Elements of CriticismRaynor, 1848 - 300 Seiten |
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Seite 4
... Figure , which , among relative objects , extends the Properties of one to another .. 202 6. Metaphor and Allegory . 206 7. Figure of Speech .... 218 CHAP . 21. Narration and Description 222 22. Epic and Dramatic Composition .. 242 23 ...
... Figure , which , among relative objects , extends the Properties of one to another .. 202 6. Metaphor and Allegory . 206 7. Figure of Speech .... 218 CHAP . 21. Narration and Description 222 22. Epic and Dramatic Composition .. 242 23 ...
Seite 6
... Figure , which , among relative objects , extends the Properties of one to another .. 202 6. Metaphor and Allegory . 206 7. Figure of Speech .... 218 CHAP . 21. Narration and Description 22. Epic and Dramatic Composition .. 23. The ...
... Figure , which , among relative objects , extends the Properties of one to another .. 202 6. Metaphor and Allegory . 206 7. Figure of Speech .... 218 CHAP . 21. Narration and Description 22. Epic and Dramatic Composition .. 23. The ...
Seite 51
... figure of speech , we say a beautiful sound , a beautiful thought or ex- pression , a beautiful theorem , a beautiful event , a beautiful discovery in art or science . But , as figura- tive expression is the subject of a following ...
... figure of speech , we say a beautiful sound , a beautiful thought or ex- pression , a beautiful theorem , a beautiful event , a beautiful discovery in art or science . But , as figura- tive expression is the subject of a following ...
Seite 54
... figure of speech ? Give examples . What is the common character of all the emotions of beauty ? What is intrinsic beauty ? -relative beauty ? How do they differ ? Is the relish for beauty of figure inherent ? What is its use ? How do ...
... figure of speech ? Give examples . What is the common character of all the emotions of beauty ? What is intrinsic beauty ? -relative beauty ? How do they differ ? Is the relish for beauty of figure inherent ? What is its use ? How do ...
Seite 124
... speech . Love and revenge , when immoderate , are not more loquacious than immoderate grief . When moderate , they ... figure : in the same manner , we are only disposed to express the strongest pulses of passion , especially when it ...
... speech . Love and revenge , when immoderate , are not more loquacious than immoderate grief . When moderate , they ... figure : in the same manner , we are only disposed to express the strongest pulses of passion , especially when it ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers