The Works of William Shakespeare, Band 17Jefferson Press [Bigelow, Smith & Company, 1909 |
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Seite ix
... poet had evidently not made up his mind which of the two epitaphs to use , whether Timon's own , or that which , " commonly rehearsed , " was not his , " but was made by the poet Callimachus . " 1 In all probability Shakespeare's ...
... poet had evidently not made up his mind which of the two epitaphs to use , whether Timon's own , or that which , " commonly rehearsed , " was not his , " but was made by the poet Callimachus . " 1 In all probability Shakespeare's ...
Seite xiv
... Poet's noblest and most varied music . And in these parts the true Shakespearean cast of thought and imagery comes upon us in all its richness , gushing , apparently , from the deepest fountains of his genius , and steeped in its most ...
... Poet's noblest and most varied music . And in these parts the true Shakespearean cast of thought and imagery comes upon us in all its richness , gushing , apparently , from the deepest fountains of his genius , and steeped in its most ...
Seite xv
... poet and artist . Such , or some- thing such , appears to us the most probable account why he should have pitched upon a theme so manifestly un- suited to his purpose , and so barren of those qualities that would recommend it for ...
... poet and artist . Such , or some- thing such , appears to us the most probable account why he should have pitched upon a theme so manifestly un- suited to his purpose , and so barren of those qualities that would recommend it for ...
Seite xvi
... Poet's plays , or in those parts of this play where the authorship is not and cannot be questioned . Take , for instance , the fifth scene in Act III , which is highly episodical in its character , insomuch that if entirely thrown out ...
... Poet's plays , or in those parts of this play where the authorship is not and cannot be questioned . Take , for instance , the fifth scene in Act III , which is highly episodical in its character , insomuch that if entirely thrown out ...
Seite xvii
... of thought and diction which mark the part of Timon himself , showing that the powers and resources of the Poet were then in their most palmy state . The fourth , and , in our view , the xvii TIMON OF ATHENS Introduction.
... of thought and diction which mark the part of Timon himself , showing that the powers and resources of the Poet were then in their most palmy state . The fourth , and , in our view , the xvii TIMON OF ATHENS Introduction.
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Alcib Alcibiades Antium Apem Apemantus Aufidius banished bear Brutus Caius Marcius Citizens Collier Cominius common conj consul Coriolanus Corioli dost enemies Enter Exeunt Exit eyes fear flatter Flav Flavius folio follow fool fortune friends give gods gold hand Hanmer hate hath hear heart honest honor ISRAEL GOLLANCZ Julius Cæsar ladies Lart live look Lord Timon Lucullus Menenius misanthropy mother nature ne'er never noble patricians peace Phrynia play plebeians Plutarch Plutus Poet Poet's pray pride prithee revenge Roman Rome scene Senators servant Shakespeare Sicinius slaves soldiers speak spirit stand Steevens sword Tarpeian rock tell thee There's thine thing Third Serv thou art thou hast thyself Timon of Athens tion Titus Lartius tribunes Tullus unto Virgilia voices Volsces Volscian Volumnia words worthy