Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 157
... turn realities absurd , hideous , pitiful . This incongruity is Lear's madness ; it is also the demonic laughter that echoes in the Lear universe . In pure tragedy the dualism of experience is contin- ually being dissolved in the ...
... turn realities absurd , hideous , pitiful . This incongruity is Lear's madness ; it is also the demonic laughter that echoes in the Lear universe . In pure tragedy the dualism of experience is contin- ually being dissolved in the ...
Seite 188
... turn the other cheek , you will get a harder blow on it than you got on the first one . This does not always happen ... turning the other cheek . First of all , therefore , there is the vulgar , common - sense moral drawn by the Fool ...
... turn the other cheek , you will get a harder blow on it than you got on the first one . This does not always happen ... turning the other cheek . First of all , therefore , there is the vulgar , common - sense moral drawn by the Fool ...
Seite 357
... turn , sir . COSTARD . This maid will serve my turn , sir . [ I. i . 288-99 ] In the last line Costard abandons his attempt to evade the language of the statutes , which he has found is in its own way perfect , an absolutely closed ...
... turn , sir . COSTARD . This maid will serve my turn , sir . [ I. i . 288-99 ] In the last line Costard abandons his attempt to evade the language of the statutes , which he has found is in its own way perfect , an absolutely closed ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words