Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 38
... taken to constitute , as in Fletcher's case they do , a note of comparative effeminacy or relaxation in tragic style - we do not find the perpetual predominance of those triple terminations so peculiarly and notably dear to that poet ...
... taken to constitute , as in Fletcher's case they do , a note of comparative effeminacy or relaxation in tragic style - we do not find the perpetual predominance of those triple terminations so peculiarly and notably dear to that poet ...
Seite 357
... taken with none , sir . I was taken with a damsel . KING . Well , it was proclaimed damsel . COSTARD . This was no damsel neither , sir . She was a virgin . KING . It is so varied too , for it was proclaimed virgin . COSTARD . If it ...
... taken with none , sir . I was taken with a damsel . KING . Well , it was proclaimed damsel . COSTARD . This was no damsel neither , sir . She was a virgin . KING . It is so varied too , for it was proclaimed virgin . COSTARD . If it ...
Seite 412
... taken , whose temperament is cold and inflexible , and whose knowledge of the statutes is most ample . But his chief characteristic is the strictest adher- ence to formal justice . He is , therefore , the person best fitted by nature to ...
... taken , whose temperament is cold and inflexible , and whose knowledge of the statutes is most ample . But his chief characteristic is the strictest adher- ence to formal justice . He is , therefore , the person best fitted by nature to ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words