Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 142
... question What rules the world ? is forced upon their minds . . . . Almost throughout the latter half of the drama we note in most of the better characters a pre - occupation with the question of the ultimate power , and a passionate ...
... question What rules the world ? is forced upon their minds . . . . Almost throughout the latter half of the drama we note in most of the better characters a pre - occupation with the question of the ultimate power , and a passionate ...
Seite 263
... question will lead him . But it is not , of course , so simple a question as he thinks . Love involves , as the entire first scene makes clear , a great deal more than Lear expected it would . To find out how and why one is loved is to ...
... question will lead him . But it is not , of course , so simple a question as he thinks . Love involves , as the entire first scene makes clear , a great deal more than Lear expected it would . To find out how and why one is loved is to ...
Seite 264
... questions are given with love . Lear's question to the disguised Kent is probably asked with some complacence . He has , except for the distressing Cordelia episode and Kent's earlier candor , had no intimations that he is not ...
... questions are given with love . Lear's question to the disguised Kent is probably asked with some complacence . He has , except for the distressing Cordelia episode and Kent's earlier candor , had no intimations that he is not ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words