Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 115
... mind , whose personality formed the subjective centre of the whole piece . Madness is , as it were , the mind's revolt against itself - the loosening of the bonds between its subjectivity and objectivity , so that the two pass into each ...
... mind , whose personality formed the subjective centre of the whole piece . Madness is , as it were , the mind's revolt against itself - the loosening of the bonds between its subjectivity and objectivity , so that the two pass into each ...
Seite 157
... mind by a sight of incongruities displays in turn realities absurd , hideous , pitiful . This incongruity is Lear's madness ; it is also the demonic laughter that echoes in the Lear universe . In pure tragedy the dualism of experience ...
... mind by a sight of incongruities displays in turn realities absurd , hideous , pitiful . This incongruity is Lear's madness ; it is also the demonic laughter that echoes in the Lear universe . In pure tragedy the dualism of experience ...
Seite 202
... mind ; whereas reason doth buckle and bow the mind unto the nature of things ' . These famous words naturally send our minds forward to similar observations of Johnson and to the strictures he passed on Shakespeare in this point of view ...
... mind ; whereas reason doth buckle and bow the mind unto the nature of things ' . These famous words naturally send our minds forward to similar observations of Johnson and to the strictures he passed on Shakespeare in this point of view ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words