Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 352
... living society in action , it presents and comments on configurations of conduct which sustain living societies in and out of plays . It is concerned with styles , modes of language and gesture and action which befit , in varying ...
... living society in action , it presents and comments on configurations of conduct which sustain living societies in and out of plays . It is concerned with styles , modes of language and gesture and action which befit , in varying ...
Seite 370
... living art " really is . They learn that to deny either of the two terms in the concept is to falsify and destroy both . The noblemen , at the beginning , have denied what is " living " ; the critics , with few exceptions , have ...
... living art " really is . They learn that to deny either of the two terms in the concept is to falsify and destroy both . The noblemen , at the beginning , have denied what is " living " ; the critics , with few exceptions , have ...
Seite 455
... living . The egoism which prompted Angelo to will the evil conceived in his ' ap- petite ' is not totally absent from Isabella's defence of her chast- ity . ' Virtue ' , as each of them conceives it , is still a partial and abstract ...
... living . The egoism which prompted Angelo to will the evil conceived in his ' ap- petite ' is not totally absent from Isabella's defence of her chast- ity . ' Virtue ' , as each of them conceives it , is still a partial and abstract ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words