Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 118
... gives the rein to his selfishness , it is , on the contrary , the rule of the race generally to follow vague instincts and the bent of the inclination , and to give free course to the throng of unchained passions , without any scruple ...
... gives the rein to his selfishness , it is , on the contrary , the rule of the race generally to follow vague instincts and the bent of the inclination , and to give free course to the throng of unchained passions , without any scruple ...
Seite 199
... gives way to another . What the final dispensation is , however , it is difficult to determine , for Shakespeare ... give promise of grace and benediction . ( pp . 117-18 ) Arthur Sewell , " Tragedy and ' The Kingdom of Ends ' , ” in ...
... gives way to another . What the final dispensation is , however , it is difficult to determine , for Shakespeare ... give promise of grace and benediction . ( pp . 117-18 ) Arthur Sewell , " Tragedy and ' The Kingdom of Ends ' , ” in ...
Seite 336
... give way to is , in a general sense , the impulse to love ; but the particular form that it takes for them is a particular sort of folly - what one could call the folly of amorous mas- querade , whether in clothes , gestures , or words ...
... give way to is , in a general sense , the impulse to love ; but the particular form that it takes for them is a particular sort of folly - what one could call the folly of amorous mas- querade , whether in clothes , gestures , or words ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words