Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 385
... figure misguided by his own virtuous and noble image of himself ; and the Duke Knight regarded as the central charcter of the play , the vessel of Jesus ' teachings in the Gospels and , according to Shake- speare's design , a divinity ...
... figure misguided by his own virtuous and noble image of himself ; and the Duke Knight regarded as the central charcter of the play , the vessel of Jesus ' teachings in the Gospels and , according to Shake- speare's design , a divinity ...
Seite 511
... figure — in his role as the Duke's substitute and in his willingness to commit sin by enforcing the law over the Christian doctrine of forgiveness - and a " Devil - figure " or scapegoat . On this level Nuttall calls the Duke a ...
... figure — in his role as the Duke's substitute and in his willingness to commit sin by enforcing the law over the Christian doctrine of forgiveness - and a " Devil - figure " or scapegoat . On this level Nuttall calls the Duke a ...
Seite 514
... figure , yet Angelo is certainly a Christ - figure with a difference . For he is also a Devil - figure . We are now in a position to account for the strange resonance of Isabel's cry in the last scene- " You bid me seek redemption of ...
... figure , yet Angelo is certainly a Christ - figure with a difference . For he is also a Devil - figure . We are now in a position to account for the strange resonance of Isabel's cry in the last scene- " You bid me seek redemption of ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words