Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
Im Buch
Ergebnisse 1-3 von 86
Seite 273
... experience in King Lear is marked throughout by an intense desire to break through the supposed confines of verbal expression in an effort to confront directly areas of experience that lie beyond words . He seems to be exploiting ...
... experience in King Lear is marked throughout by an intense desire to break through the supposed confines of verbal expression in an effort to confront directly areas of experience that lie beyond words . He seems to be exploiting ...
Seite 365
... experience of the insecurity of life is embodied in images which seem far away from that experience - images which are , in a sense , public property ; and in that way some of the personal pain of the last scene is dissipated . But if ...
... experience of the insecurity of life is embodied in images which seem far away from that experience - images which are , in a sense , public property ; and in that way some of the personal pain of the last scene is dissipated . But if ...
Seite 455
... experience is provided by the Duke . The figure of the Duke , as Shakespeare conceives him , hesitates between two aspects . He is both inside the action as an indispensable in- strument of the plot , and outside it , judging with ...
... experience is provided by the Duke . The figure of the Duke , as Shakespeare conceives him , hesitates between two aspects . He is both inside the action as an indispensable in- strument of the plot , and outside it , judging with ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words