Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
Im Buch
Ergebnisse 1-3 von 83
Seite 146
... characters live , think , speak , and act quite unconformably with the given time and place . The action of King Lear takes place 800 years B.C. and yet the characters are placed in con- ditions possible only in the Middle Ages ...
... characters live , think , speak , and act quite unconformably with the given time and place . The action of King Lear takes place 800 years B.C. and yet the characters are placed in con- ditions possible only in the Middle Ages ...
Seite 446
... characters , except indeed the minor comic characters . These , the human sediment of Vienna , are not capable of being systematized : they exist independently of the moral framework and help further to give the play its naturalism and ...
... characters , except indeed the minor comic characters . These , the human sediment of Vienna , are not capable of being systematized : they exist independently of the moral framework and help further to give the play its naturalism and ...
Seite 485
... characters choose to orient themselves to life — whether it be social life , as in the comedies , political life , as in the histories , or metaphysical life , as in the tragedies . Sewell begins his essay on Measure for Measure with a ...
... characters choose to orient themselves to life — whether it be social life , as in the comedies , political life , as in the histories , or metaphysical life , as in the tragedies . Sewell begins his essay on Measure for Measure with a ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words