Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 89
... attempt to punish such fundamental transgressions in the mortal world . Ulrici was also one of the first critics to discuss the importance of the theme of love in the play ; indeed , he called it the " leading principle " and " center ...
... attempt to punish such fundamental transgressions in the mortal world . Ulrici was also one of the first critics to discuss the importance of the theme of love in the play ; indeed , he called it the " leading principle " and " center ...
Seite 295
... attempts to gain an un- derstanding of the play by focusing on Shakespeare's shifts from prose to verse , and verse ... attempt causes a certain degree of confusion , such as some critics interpreting the Fool " psychologically " rather ...
... attempts to gain an un- derstanding of the play by focusing on Shakespeare's shifts from prose to verse , and verse ... attempt causes a certain degree of confusion , such as some critics interpreting the Fool " psychologically " rather ...
Seite 295
... attempts to gain an un- derstanding of the play by focusing on Shakespeare's shifts from prose to verse , and verse ... attempt causes a certain degree of confusion , such as some critics interpreting the Fool " psychologically " rather ...
... attempts to gain an un- derstanding of the play by focusing on Shakespeare's shifts from prose to verse , and verse ... attempt causes a certain degree of confusion , such as some critics interpreting the Fool " psychologically " rather ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words