MASSINGER. THIS excellent poet was son to Mr. Philip Massinger, a gentleman, who had some employment under the Earl of Pembroke, in whose service he died, after having spent several happy years in his family. Our author was born at Salisbury, in queen Elizabeth's reign, anno 1584, and at the age of 18, was entered a fellow-commoner of Alban Hall, in Oxford; in which station he remained three or four years, in order to complete his education, yet, though he was encouraged in the pursuit of his studies by his father's patron, the Earl of Pembroke, the natural bent of his genius lead him much more to poetry and polite literature, than to the dryer and more abstruse studies of logic and philosophy; being impatient for an opportunity of moving in a more public sphere of action, and improving his poetical fancy and his knowledge of the belles lettres, by conversation with the world, and an intercourse with men of wit and genius; he quitted the university without taking any degree, and came to London, where, applying himself to writing for the stage, he presently rose into high reputation; his plays meeting with universal approbation, both for the purity of their style, and the ingenuity and oeconomy of their plots. "Those who are unacquainted with Massinger's writings," says the Biographia Dramatica, "will, perhaps be surprised to find us placing him in an equal rank with Beaumont and Fletcher, and the immortal Ben; but we flatter ourselves that, upon a perusal of his plays, their astonishment will cease, that they will acquiesce with our opinion, and think themselves obliged to us, for pointing out so vast a treasury of entertainment and delight." Massinger has certainly equal invention, equal ingenuity, in the conduct of his plots, and an equal knowledge of character and nature, with Beaumont and Fletcher; and if it should be objected, that he has less of the vis comica, it will surely be allowed, that that deficiency is amply made amends for by that purity and decorum which he has preserved, and a rejection of that looseness and obscenity which runs through most of their comedies. As to Ben Jonson, we shall readily allow that he excels this author with respect to the studied accuracy and classical correctness of his style; yet Massinger has so greatly the superiority over him in fire, pathos, and the fancy and management of his plots, that we cannot help thinking the balance stands pretty even between them. Though his pieces bespeak him a man of the first-rate abilities, and well qualified both as to learning and a most perfect acquaintance with the methods of dramatic writing, yet he was at the same time a person of the most consummate modesty, which rendered him extremely beloved by all his contemporary poets, few of whom but esteemed it as an honour to join with him in the composition of their works. He died in 1659, some say 69. THE DUKE OF MILAN. ACTED at Black Friars, 1623, The plot is taken partly from Guicciardini, book 8, and partly from Josephus's History of the Jews, book 15, ch. 4, where will be found the story of Herod's leaving orders with his uncle Joseph to put his beloved wife Mariamne to death; from which the instructions given by Sforza to his favourite Francisco, for the murder of the Duchess Marcelia, his wife, seem evidently borrowed. This piece was altered, and produced at Covent Garden, by Mr. Cumberland, in 1799, but the additions made to it, from Fenton's Mariamne, rather injured than improved the play, and it was acted only two or three times. In its present state it was reproduced at Drury Lane, March 3, 1816; and from its reception promises to be a long and lasting favourite. Massinger seems to have been buried in obscurity, and forgotten among the number of writers of the same period, whose names were not worth calling forth from the cavern of oblivion; but when we consider, how long many of those pieces, even of the immortal Shakspeare himself, which are now the greatest ornament of the stage, lay neglected, although they wanted nothing but a judicious pruning of some few luxuriancies, some little straggling branches, which overhung the fairer flowers, and hid some of the choicest fruits, it is the less to be wondered at, that this author who though second, stands no more than second to him, should share for a while the same destiny. Thus has this precious gem been once more presented to an admiring audience, the modern taste demanding a different dress to that of former years; and the few judicious alterations which have taken place in it, have fitted it to shine in all its lustre. SCENE. For the first and second Acts, in MILAN; during part of the third, in the Imperial Camp near PAVIA; the rest of the Play, in MILAN and its Neighbourhood. ACT I. Julio. But think you 'tis a fault SCENE I-An outer Room in the Cas le. Enter GRACCHO, JULIO, and GIOVANNI, with Flagons. Grac. TAKE every man his flagon; the oath give To all you meet; I am this day the state drunkard, Julio. Very good, sir; But say he be a sexton? Grac. If the bells Grac. It is capital treason; Or, if you mitigate it, let such pay Forty crowns to the poor; but give a pension And the duke himself, I dare not say dis- But kind, and in his tottering chair carousing, And so, dear friends, co-partners in my travails, Ring out of tune, as if the streets were burning, sleep; Tis a sign he has ta'en his liquor: and if you meet An officer preaching of sobriety, Enter TIBERIO and STEPHANO. Grac. Fie! no; I know them: You need not swear them; your lord, by his Are these loud triumphs? in my weak opi patent, nion, Stands bound to take his rouse. Long live They are unseasonable. the dutchess! Tib. I judge so too; But only in the cause to be excus'd. Steph. She knows it, Tib. She bear's herself with such a majesty, That Sforza's mother, that would lose no part Of what was once her own, nor his fair sister, Will brook it well. Come, let us to the court; We there shall see all bravery and cost Steph. I'll bear you company. [Exeunt. SCENE II.-Another Room in the same. But one continual pilgrimage through dangers, guided By his strong judgment, still hath overcome), In her proud train. Appears now shaken, it deserves no wonder: Isa. Shall I, that am his mother, Or lost for ever. Steph. I know no such hazard: His guards are strong and sure, and though war rages In most parts of our western world, there is No enemy near us. Tib. Dangers that we see To threaten ruin, are with ease prevented; But those strike deadly that come unexpected. The wars so long continued between The emperor Charles, and Francis, the French king, Have interest'd, in either's cause, the most And 'twas a doubtful choice. Tib. But he, well knowing And hating too, it seems, the Spanish pride, Tib. But should it change, The duke's undone. They have drawn to the field Two royal armies, full of fiery youth, Who hath the better cause; for the success Concludes the victor innocent, and the vanquish'd Most miserably guilty. la such a time, when every knee should bend For the success and safety of his person, Fran. 'Tis done to the duke, And not to her; and, my sweet wife, re member, And, madam, if you please, receive my counsel, As Sforza is your son, you may command him; And, as a sister, you may challenge from him A brother's love and favour: but this granted, Isa. You are ever forward Mari. Others are as fair; I am sure as noble. Fran. I detract from none In giving her what's due. Were she deform'd, Yet, being the dutchess, I stand bound to serve her; But as she is, to admire her. Never wife She confident in herself he's wholly hers, And therefore to contest with her, that is The duty that he owes you. Mari. I shall do SCENE III-A State Room in the same. A magnificent Banquet. Marc. My lord! Is but to antedate those miseries Flourish. Enter TIBERIO, STEPHANO, FRAN - Is worse than to have lost; and to despair, O my soul's comfort! The cause consider'd, sit Why should I fear? The French are bold and strong, My happiness, and mighty kings look pale Fran. Your excellence, Their numbers full, and in their councils wise; [Aside. [Apart. One gale of your sweet breath will easily Though I confess you give her but her own, Disperse these clouds; and, but yourself, there's Forces her modesty to the defence Of a sweet blush. Sfor. It need not, my Marcelia; When most I strive to praise thee, I appear That, but to speak the least part to the height, Isa. You still court her As if she were a mistress, not your wife. My pride, my glory, in a word, my all ! Sfor. 'Tis believ'd— Believ'd, my blest one. Mari. How she winds herself Into his soul ! Sfor. Sit all. Let others feed Immortal viands ta'en in at his eyes. From whence? Enter a Courier. Cour. From Pavia, my dread lord. My lord! Sfor. Ha! pardon me, Marcelia, I am trou- And stand uncertain, whether I am master Marc. I am yours, sir; And I have heard you swear, I being safe, Is by your gift made mine. Can you revoke Sfor. Out of my sight! [Throws away the Letter, And all thoughts that may strangle mirth, Cour. [Delivers a Letter] The letter inform you. Fran. How his hand shakes,, As he receives it! Mari. This is some allay To his hot passion. [Exit. That wears one furrow in his face. Come, make me happy once again. I am rapt- But all my days and years shall be employ'd [ATrumpet without. Another post! hang him I will not interrupt my present pleasures, [Aside. To heighten our delights. Sfor. Though it bring death, I'll read it. [Reads. May it please your excellence to understand, that the very hour I wrote this, I heard a bold defiance delivered by a herald from the emperor, which was cheerfully received by the king of France. The battles being ready to join, and the very of this, and prayers, van guard committed to my charge, en- To guard your excellency from certain dangers, forces me to end abruptly. Your high- He ceased to be a man. ness's humble servant. GASPERO. Sfor. All that my fears [Music. Erit. Ready to join!-By this, then, I am nothing. Could fashion to me, or my enemies wish, Or my estate secure. [Aside. Is fallen upon me. Silence that harsh music; Sorrow and ruin. Marc. Bless us, heaven! Marc. What sudden change is this? I'll bear alone the burden of my grief, And must admit no partner. I am yet obedience? Your prince, where's your Think, think, Marcelia, what a cursed thing Marc. Do not feed Those jealous thoughts; the only blessing that woman! Re-enter FRANCISCO. All I can pay is nothing. Why, uncall'd for? Upon your privacies. Your constant friend, tendants. Stay, Marcelia; I cannot be so greedy of a sorrow, Marc. And cheerfully I will sustain my part. Why look you pale? May flow from me, not danger. It is for thee I fear; for thee, thy Sforza To so proud enemies. Marc. Then you have just cause Sfor. All this were nothing, I would be Sforza still. But when I think Marc. Good sir, have patience : I can as well partake your adverse fortune, Sfor. But should that will To be so-forced, Marcelia; and I live tunes, And with speed to impart. Sfor. Wait on him hither. [Exit Francisco. Marc. To spare imprecations [Exit. Re-enter FRANCISCO, with PESCARA. [Apart. Pes. Blame him not, good Francisco, [Apart Sfor. My dear Pescara; Pes. If it were As well in my weak power, in act, to raise it, cara Look'd not upon your state, but on your virtues, you Such friendly counsel, as, perhaps, may make Sfor. You are all goodness; To hope you can hold out against the emperor, Sfor. I understand you; Sfor. I think so; For I have ever found you true and thankful, And in my dukedom made you next myself; I find you are worthy of them, in your love Fran. Sir, I am your creature; That were before us; and such as succeed, Though taught in hell's black school, shall ne'er come near us, Art thou not shaken yet? Fran. I grant you move me: Fran. As a thing sacred; To whose fair name and memory I pay gladly These signs of duty. Sfor. Is she not the abstract Of all that's rare, or to be wish'd in woman? Sfor. Add too, her goodness, Fran. Now I find the end Of all your conjurations; there's some service To be done for this sweet lady. If she have enemies, That she would have remov'd Sfor. Alas! Francisco, Her greatest enemy is her greatest lover; And any shape that you would have me wear, One smile of hers would make a savage tame; I gladly will put on. Sfor. Thus, then, Francisco: I now am to deliver to your trust A weighty secret; of so strange a nature, Or to one unacquainted with your bounties, Sfor. But you must swear it; And put into the oath all joys or torments That fright the wicked, or confirm the good; Not to conceal it only-that is nothingBut, whensoe'er my will shall speak, "Strike now!" To fall upon't like thunder. Fran. Minister The oath in any way or form you please, Sfor. Thou must do, then, What no malevolent star will dare to look on, a One accent of that tongue would calm the seas, Though all the winds at once strove there for empire. Yet I, for whom she thinks all this too little, Fran. Murder'd!-She that loves so, Pick'd out the instrument! What is decreed can never be recall'd. There is no heaven without her, nor a bell Her purer soul from her unspotted body. Fran. Tis not fear Of death, but love to you, makes me embrace it; But for mine own security, when 'tis done, What warrant have I? If you please to sign one, I shall, though with unwillingness and horror, Perform your dreadful charge. Sfor. I will, Francisco: But still remember that a prince's secrets |