Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 59Gale Research Company, 1984 |
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Seite 54
... soliloquies but actually do not , may be less readily evident in the latter of these two soliloquies than in the first . That inaction is go- ing to be Hamlet's choice in the " To be or not to be " soliloquy is indicated from the very ...
... soliloquies but actually do not , may be less readily evident in the latter of these two soliloquies than in the first . That inaction is go- ing to be Hamlet's choice in the " To be or not to be " soliloquy is indicated from the very ...
Seite 60
... soliloquy accusing himself of unnecessary delay , of cowardice , and of ' thinking too precisely on the event ' ( IV . iv . 41 ) . The two passages are not absolutely contradic- tory since the soliloquy ends with a resolution to affect ...
... soliloquy accusing himself of unnecessary delay , of cowardice , and of ' thinking too precisely on the event ' ( IV . iv . 41 ) . The two passages are not absolutely contradic- tory since the soliloquy ends with a resolution to affect ...
Seite 331
... soliloquy , Shakespeare's playtext once again takes a peculiarly contradictory turn toward her doubleness . On the one hand , by privileging Cressida's dramatic power , the soliloquy works to heal the split between body and voice ; on ...
... soliloquy , Shakespeare's playtext once again takes a peculiarly contradictory turn toward her doubleness . On the one hand , by privileging Cressida's dramatic power , the soliloquy works to heal the split between body and voice ; on ...
Inhalt
Introduction | 1 |
Character Studies | 10 |
Gender Issues | 31 |
Urheberrecht | |
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