The Grotowski SourcebookLisa Wolford, Richard Schechner Psychology Press, 2001 - 516 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner |
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Inhalt
Ariadnes thread | 1 |
Interview with Grotowski | 38 |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
A prose meditation on Grotowski | 248 |
The Theatre of Sources | 271 |
Lisa Wolford | 283 |
Tu es le fils de quelquun | 294 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
The Vigil Czuwanie | 226 |
Objective Drama | 356 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
510 | |
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Häufige Begriffe und Wortgruppen
acting activities actor Akropolis ancient Apocalypsis cum figuris archetype Art as vehicle artistic asked audience Auschwitz Balinese become begins Biagini body Brook Constant Prince create creative culture Cynkutis dance developed direct director doers elements energy Eugenio Barba exercises experience Faustus feel Flaszen gestures Grotowski's theatre Gurdjieff Haitian Hasidic human individual Jan Kott Jerzy Grotowski kind Kordian Laboratory Theatre living look means Mephistopheles montage movement Objective Drama Opole Osinski paratheatrical participants performance structure person Peter Brook Photo play Poland Polish Pontedera Poor Theatre possible practice precise present question Richard Schechner ritual Ryszard Cieslak sense Shekhinah Simon Peter Simpleton singing Slowiak someone song space speak spectators spiritual stage Stanislavsky Sufi T.S. Eliot techniques Theatre Laboratory Theatre of Productions Theatre of Sources theatrical thing Thomas Richards tradition witness Wolford words Workcenter of Jerzy Wroclaw yantra