The Grotowski Sourcebook
The first comprehensive overview of the phases of Jerzy Grotowski's long and multi-faceted career. Featured are a unique collection of Grotowski's own writings and contributions from international theorist including Eugenio Barba and Peter Brooks.This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work.Edited by the two leading experts on Grotowski, the sourcebook features:*essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz*writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle'*a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards*an array of photographs documenting Grotowski and his followers in action*a historical-critical study of Grotowski by Richard Schechner.
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Let Grotowski Sacrifice Masculinity
List of Illustrations xi
PARTE THEATRE OFPRODUCTIONS 195769
Doctor Faustus Textual montage
Interview with Grotowski
In Memory of Ryszard Cieslak
Introduction Richard Schechner 207
Holiday Swieto The day that is holy
Route to the Mountain A prose meditation on Grotowski
Theatre of Sources
Grotowski or the Limit
Subjective Reflections on Objective Work
Grotowski in Irvine Breaking the silence
A Myth Vivisected Grotowskis Apocalypsis
External Order Internal Intimacy Interview with Grotowski
Introduction The Laboratory Theatre in New York 1969
Why Should Take Part in the Sacred Dance?
Asian Theatre and Grotowski
Grotowski Right Did the Word Come Last?
A Polish Catholic Hasid
Dear Grotowski An open letter
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acting action activities actor Apocalypsis appears artistic asked associations audience become begins body called character Cieslak close Constant continued create creative culture dance developed direct director Drama elements everything example exercises exists experience expression face fact Faustus feel final function gestures give Grotowski hand happened human important individual Italy Jerzy kind Laboratory Theatre later light living look means meeting move movement nature never Objective observed organic original paratheatrical participants performance perhaps period Photo physical play Poland Polish possible practice precise present Prince production question remain result Richards ritual role scene seems sense simply someone song Sources space speak spectators spiritual stage structure suggests techniques theatrical thing tradition University values whole young
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