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43. Itinerant Players (R. W. Buss]..
CHAPTER XIV.-SOCIAL HOURS.
74. Charlcote House, from the Avon.......
105. Divinity Schools ditto...
109. Shakspere's Visions of Maturity
CHAPTER I.-A NEW PLAY.
CHAPTER III,_THE MIGHTY HEART.
124. Richmond Palace
128. Ancient View of Cambridge ...
Note on Marston's Malecontent'
Note on the Conveyance to Shakspere in 1613
CHAPTER XII.—THE LAST BIRTHDAY.
194. Chancel of Stratford Church
201. Fac-simile of entry in Parish. Register of the burial
195. Monument of John Combe...
of Anne Shakspere....
196. Leicester's Hospital, Warwick
528 202. Ditto of the burial of Susanna Hall..
197. Weston Church
528 203. Ditto of the burial of Judith Quiney
198. Fac-simile of entry in Parish Register of the Mar. 204. Autograph of Eliza Barnard
199. Signature of Thomas Quiney
529 206. Shakspere from Roubiliac's Monument....
200. Monument at Stratford
532 207. Shakspere's bust from the Monument at Stratford
Note on some Points in Shakspere's Will.
Note on Autographs....
Table of Plays.....
Note on the Portraits of Shakspere
The two mottos which face the title-page express the principle upon which this · Biography' has been written. That from Steevens shows, with a slight exaggeration of its author, how scanty are the materials for a Life of Shakspere, properly so called. Indeed, every Life of him must, to a certain extent, be conjectural; and all the Lives that have been written are conjectural. Our
Biography' is only so far more conjectural than any other, as regards the form which it assumes ; by which it has been endeavoured to associate Shakspere with the circumstances around him, in a manner which may fix them in the mind of the reader by exciting his interest. What we have proposed thus to do is shown in the second motto, from Mr. Carlyle's admirable article on Dr. Johnson, we having ventured to substitute the name of “Shakspere” for that of “ Johnson.” We might have accomplished the same end by writing a short notice of Shakspere, accompanied by a History of Manners and Customs, a History of the Stage, &c., &c. The form we have adopted may appear fanciful, but the narrative essentially rests upon facts.