Lectures chiefly on the dramatic literature of the age of ElizabethJ.B. Lippincott, 1821 - 218 Seiten |
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Seite 6
... beauty are things of modern date - as if nature had ever been old , or the sun had first shone on our folly and presumption . Because , in a word , the last generation , when tottering off the stage , were not so active , so sprightly ...
... beauty are things of modern date - as if nature had ever been old , or the sun had first shone on our folly and presumption . Because , in a word , the last generation , when tottering off the stage , were not so active , so sprightly ...
Seite 36
... beauty or power , hits or misses , and is either very good indeed , or absolutely good for nothing . This character applies in particular to our litera- ture in the age of Elizabeth , which is its best period , before the introduction ...
... beauty or power , hits or misses , and is either very good indeed , or absolutely good for nothing . This character applies in particular to our litera- ture in the age of Elizabeth , which is its best period , before the introduction ...
Seite 60
... beauty in their airy brows Than have the white breasts of the Queen of Love . From Venice they shall drag whole argosies , And from America the golden fleece , That yearly stuffs old Philip's treasury * ; If learned Faustus will be ...
... beauty in their airy brows Than have the white breasts of the Queen of Love . From Venice they shall drag whole argosies , And from America the golden fleece , That yearly stuffs old Philip's treasury * ; If learned Faustus will be ...
Seite 62
... beauty of a thousand stars : Brighter art thou than flaming Jupiter , When he appear'd to hapless Semele ; More lovely than the monarch of the sky In wanton Arethusa's azure arms ; And none but thou shalt be my paramour . " The ending ...
... beauty of a thousand stars : Brighter art thou than flaming Jupiter , When he appear'd to hapless Semele ; More lovely than the monarch of the sky In wanton Arethusa's azure arms ; And none but thou shalt be my paramour . " The ending ...
Seite 77
... Beauty , and the English Traveller . The barb of misfortune is sheathed in the mild- ness of the writer's temperament , and the story jogs on very comfortably , without effort or re- sistance HEYWOOD , MIDDLETON , & c . 77.
... Beauty , and the English Traveller . The barb of misfortune is sheathed in the mild- ness of the writer's temperament , and the story jogs on very comfortably , without effort or re- sistance HEYWOOD , MIDDLETON , & c . 77.
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Lectures Chiefly on the Dramatic Literature of the Age of Elizabeth (1821) William Hazlitt Keine Leseprobe verfügbar - 2009 |
Häufige Begriffe und Wortgruppen
admiration Æschylus affected age of Elizabeth Beaumont and Fletcher beauty Ben Jonson Boccacio breath character classical comedy common-place Cynthia's Revels D'Ol dead death Deckar delight doth dramatic Duchess of Malfy Duke Endymion Eumenides extravagant eyes faith fancy fate feeling fire flowers friends genius give grace hand hath head heart heaven Hodge honour human Hydriotaphia imagination imitation Jeremy Taylor Jonson kings kiss learning live look Lord Lover's Melancholy manner Michael Drayton mind moral Muse nature never Noble Kinsmen objects passage passion Petrarch play poet poetical poetry pride quincunxes racter Rhod romantic says scene Sejanus sense sentiment Shakespear shew Sir Rad Sir Thomas Brown Sophocles sort soul speak spirit striking style sweet taste thee there's thing thou thought tion tragedy true truth unto Witches woman words writers
Beliebte Passagen
Seite 27 - Your face, my thane, is as a book, where men May read strange matters : — To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under it.
Seite 254 - But at my back I always hear Time's winged chariot hurrying near: And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song: then worms shall try That long preserved virginity: And your quaint honour turn to dust; And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace.
Seite 298 - But the sufficiency of Christian immortality frustrates all earthly glory, and the quality of either state after death makes a folly of posthumous memory. God who can only destroy our souls, and hath assured our resurrection, either of our bodies or names hath directly promised no duration. Wherein there is so much of chance, that the boldest expectants have found unhappy frustration ; and to hold long subsistence, seems but a scape in oblivion. But man is a noble animal, splendid in ashes, and pompous...
Seite 222 - HENCE, all you vain delights, As short as are the nights Wherein you spend your folly ! There's nought in this life sweet, If man were wise to see't, But only melancholy ; Oh ! sweetest melancholy.
Seite 253 - Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews.
Seite 294 - ... to subsist in bones, and be but pyramidally extant, is a fallacy in duration. Vain ashes, which, in the oblivion of names, persons, times, and sexes, have found unto themselves a fruitless continuation, and only arise unto late posterity as emblems of mortal vanities, antidotes against pride, vainglory, and madding vices!
Seite 257 - Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Seite 53 - At cards for kisses — Cupid paid; He stakes his quiver, bow and arrows, His mother's doves, and team of sparrows; Loses them too; then down he throws The coral of his lip, the rose Growing on's cheek (but none knows how), With these, the crystal of his brow, And then the dimple of his chin; All these did my Campaspe win. At last he set her both his eyes, She won, and Cupid blind did rise. O Love! has she done this to thee? What shall, alas! become of me? THE SONGS OF BIRDS What bird so sings, yet...
Seite 224 - Like to the falling of a star; Or as the flights of eagles are; Or like the fresh spring's gaudy hue; Or silver drops of morning dew; Or like a wind that chafes the flood; Or bubbles which on water stood; Even such is man, whose borrowed light Is straight called in, and paid to night. The wind blows out; the bubble dies; The spring entombed in autumn lies; The dew dries up; the star is shot; The flight is past; and man forgot.
Seite 59 - Her lips suck forth my soul! See where it flies; Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena.