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Seite 58
And although Rouveyre hesitatingly woman ... woman , symbol of rotation , acknowledges that Apollinaire " avait une permanence and nature . ... " ( p . 183 ) . véritable religion sensuelle et sentimen- Although critical custom ...
And although Rouveyre hesitatingly woman ... woman , symbol of rotation , acknowledges that Apollinaire " avait une permanence and nature . ... " ( p . 183 ) . véritable religion sensuelle et sentimen- Although critical custom ...
Seite 60
Un- images - a woman's smile , and the flower like Beaudelaire , Apollinaire rejects the ( both in life and in the ... sexless artificiality of makeup Woman is photography in its uniqueness and dress that mask the living , thinking the ...
Un- images - a woman's smile , and the flower like Beaudelaire , Apollinaire rejects the ( both in life and in the ... sexless artificiality of makeup Woman is photography in its uniqueness and dress that mask the living , thinking the ...
Seite 61
Hence , the image of woman ions ; it is fitting , then , that Apollinaire's ( as Lou ) herself has changed from “ les hattering love affair with the fascinat- femmes atroces ” in “ 1909 ” -that a woman ng , erotic “ Lou ” should secure ...
Hence , the image of woman ions ; it is fitting , then , that Apollinaire's ( as Lou ) herself has changed from “ les hattering love affair with the fascinat- femmes atroces ” in “ 1909 ” -that a woman ng , erotic “ Lou ” should secure ...
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