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N° 58. SATURDAY, MAY 25, 1753.

Damnant quod non intelligunt.--cic.
They condemn what they do not understand.

EURIPIDES, having presented Socrates with the writings of Heraclitus, a philosopher famed for involution and obscurity, inquired afterwards his opinion of their merit. “ What I understand,” said Socrates, “I find to be excellent; and, therefore, be“ lieve that to be of equal value which I cannot un“ derstand.”

The reflection of every man who reads this passage will suggest to him the difference between the practice of Socrates, and that of modern critics: Socrates, who had, by long observation upon himself and others, discovered the weakness of the strongest, and the dimness of the most enlightened intellect, was afraid to decide hastily in his own favour, or to conclude that an author had written without meaning, because he could not immediately catch his ideas; he knew that the faults of books are often more justly imputable to the reader, who sometimes wants attention, and sometimes penetration ; whose understanding is often obstructed by prejudice, and often dissipated by remissness; who comes sometimes to a new study, unfurnished with knowledge previously necessary; and finds difficulties insuperable, for want of ardour sufficient to encounter them.

Obscurity and clearness are relative terms: to some readers scarce any book is easy, to others not many are difficult: and surely they, whom neither any exuberant praise bestowed by others, nor any eminent conquests over stubborn problems, have entitled to exalt themselves above the common orders of mankind, might condescend to imitate the candour of Socrates; and where they find incontestable proofs of superior genius, be content to think that there is justness in the connexion which they cannot trace, and cogency in the reasoning which they cannot comprehend.

This diffidence is never more reasonable, than in the perusal of the authors of antiquity; of those whose works have been the delight of ages, and transmitted as the great inheritance of mankind from one generation to another: surely, no man can, without the utmost arrogance, imagine that he brings any superiority of understanding to the perusal of these books which have been preserved in the devastation of cities, and snatched up from the wreck of nations; which those who fled before barbarians have been careful to carry off in the hurry of migration, and of which barbarians have repented the destruction. If in books thus made venerable by the uniform attestation of successive ages, any passages shall appear unworthy of that praise which they have formerly received; let us not immediately determine, that they owed their reputation to dulness or bigotry; but suspect at least that our ancestors had some reasons for their opinions, and that our ignorance of those reasons makes us differ from them.

It often happens that an author's reputation is endangered in succeeding times, by that which raised the loudest applause among his cotemporaries: nothing is read with greater pleasure than allusions to recent facts, reigning opinions, or present controversies; but when facts are forgotten, and controversies extinguished, these favourite touches lose all their graces; and the author in his descent to posterity must be left to the mercy of chance, without any power of ascertaining the memory of those things, to which he owed his luckiest thoughts and his kindest reception.

On such occasions, every reader should remember the diffidence of Socrates, and repair by his candour the injuries of time; he should impute the seeming defects of his author to some chasm of intelligence, and suppose, that the sense which is now weak was once forcible, and the expression which is now dubious formerly determinate.

How much the mutilation of ancient history has taken away from the beauty of poetical performances, may be conjectured from the light which a lucky commentator sometimes effuses, by the recovery of an incident that had been long forgotten: thus, in the third book of Horace, Juno's denunciations against those that should presume to raise again the walls of Troy, could for many ages please only by splendid images and swelling language, of which no man discovered the use or propriety, till Le Fevre, by shewing on what occasion the Ode was written, changed

wonder to rational delight. Many passages yet un. doubtedly remain in the same author, which an exacter knowledge of the incidents of his time would clear from objections. Among these I have always numbered the following lines :

Aurum per medios ire satellites,
Et perrumpere amat saxa, potentius
Ictu fulmineo. Concidit Auguris

Argivi domus ob lucrum
Demersa ercidio. Diffidit urbium
Portas vir Macedo, et subruit æmulos
Reges muneribus. Munera navium

Sævos illaqueant duces.

Stronger than thunder's winged force,
All-powerful gold can spread its course,
Thro' watchful guards its passage make,
And loves thro' solid walls to break :
From gold the overwhelming woes,
That crush'd the Grecian augur rose :
Philip with gold thro' cities broke,
And rival monarchs felt his yoke;
Captains of ships to gold are slaves,
Tho' fierce as their own winds and waves.-FRANCIS.

The close of this passage, by which every reader is now disappointed and offended, was probably the delight of the Roman court: it cannot be imagined, that Horace, after having given to gold the force of thun. der, and told of its power to storm cities and to conquer kings, would have concluded his account of its efficacy with its influence over naval commanders, had he not alluded to some fact then current in the mouths of men, and therefore more interesting for a time than the conquests of Philip. Of the like kind may

be reckoned another stanza in the same book :

Jussa coram non sine conscio
Surgit marito, seu vocat institor
Seu navis Hispanæ magister

Dedecorum pretiosus emplor.

The conscious husband bids her rise,
When some rich factor courts her charms,
Who calls the wanton to his arms,
And, prodigal of wealth and fame,
Profusely buys the costly shame.-FRANCIS.

He has little knowledge of Horace who imagines that the factor or the Spanish merchant, are mentioned by chance: there was undoubtedly some popular story of an intrigue, which those names recalled to the memory of his reader.

The flame of his genius in other parts, though somewhat dimmed by time, is not totally eclipsed; his address and judgment yet appear, though much of the spirit and vigour of his sentiment is lost : this has happened to the twentieth Ode of the first book :

Vile potabis modicis Sabinum Cantharis, Græca quod ego ipse testá Conditum levi; datus in theatro

Cùm tibi plausus, Chare Macenas

eques.

Ul paterni Fluminis ripa, simul et jocosa Redderet laudes tibi Vaticani

Montis imago.

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