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he kindy and generously made use of it to bring out Johnson's tragedy, which had been long kept back for want of encouragement. But in this benevolent purpose he met with no small difficulty from the temper of Johnson, which could not brook that a drama which he had formed with much study, and had been obliged to keep more than the nine years of Horace, should be revised and altered at the pleasure of an actor. Yet Garrick knew well, that without some alterations it would not be fit for the stage. A violent dispute having ensued between them, Garrick applied to the Rev. Dr. Taylor to interpose. Johnson was at first very obstinate. 'Sir,' said he, 'the fellow wants me to make "Mahomet " run mad, that he may have an opportunity of tossing his hands and kicking his heels.' He was, however, at last with difficulty prevailed on to comply with Garrick's wishes, so as to allow of some changes; bu still there were not enough.

Dr. Adams was present the first night of the representation of Irene, and gave me the following account:-'Before the curtain drew up, there were catcalls whistling, which alarmed Johnson's friends. The Prologue, which was written by himself in a manly strain, soothed the audience, and the play went off tolerably, till it came to the conclusion, when Mrs. Pritchard, the heroine of the piece, was to be

died in 1736, not long before Johnson settled in London. Some account of this lady was published under the title of The Secret History of Vanella, 8vo, 1732. See also Vanella in the Straw, 4to, 1732. In Mr. Boswell's Tour to the Hebrides (p. 37, 4th edition) we find some observations respecting the lines in question:

In Dr. Johnson's Vanity of Human Wishes there is the following passage:

"The teeming mother, anxious for her race,

Begs for each birth the fortune of a face:
Yet Vane," etc.

'Lord Hailes told him [Johnson] he was mistaken in the instances he had given of unfortunate fair ones, for neither Vane nor Sedley had a title to that description.'-His lordship therefore thought that the lines should rather have run thus:

'Yet Shore could tell

And Valière curs'd

Our friend (he added in a subsequent note, addressed to Mr. Boswell on this subject) chose Vane, who was far from being well-look'd, and Sedley, who was so ugly that Charles H. said his brother had her by way of penance.'-MALONE.

'Mahomet' was in fact played by Mr. Barry, and 'Demetrius' by Mr. Garrick; but probably at this time the parts were not yet cast.-BOSWELL.

2 The expression used by Dr. Adams was 'soothed.' I should rather think the audience was awed by the extraordinary spirit and dignity of the following lines:

'Be this at least his praise, be this his pride,
To force applause on modern arts are tried :
Should partial catcalls all his hopes confound,
He bids no trumpet quell the fatal sound;
Should welcome sleep relieve the weary wit,
He rolls no thunders o'er the drowsy pit;

She

strangled upon the stage, and was to speak two lines with the bowstring round her neck. The audience cried out "Murder! Murder!" several times attempted to speak; but in vain. At last she was obliged to go off the stage alive. This passage was afterwards struck out, and she was carried off to be put to death behind the scenes, as the play now has it. The Epilogue, as Johnson informed me, was written by Sir William Yonge. I know not how his play came to be thus graced by the pen of a person then so eminent in the political world.

Notwithstanding all the support of such performers as Garrick, Barry, Mrs. Cibber, Mrs. Pritchard, and every advantage of dress and decoration, the tragedy of Irene did not please the public. Mr. Garrick's zeal carried it through for nine nights, so that the author had his three nights' profit; and from a receipt signed by him, now in the hands of Mr. James Dodsley, it appears that his friend Mr. Robert Dodsley gave him one hundred pounds for the copy, with his usual reservation of the right of one edition.

Irene, considered as a poem, is entitled to the praise of superior excellence. Analyzed into parts, it will furnish a rich store of noble senti. ments, fine imagery, and beautiful language; but it is deficient in pathos, in that delicate power of touching the human feelings which is

No snares to captivate the judgment spreads,
Nor bribes your eyes to prejudice your heads.
Unmov'd, though witlings sneer and rivals rail,
Studious to please, yet not ashamed to fail,
He scorns the meek address, the suppliant strain,
With merit needless, and without it vain :
In Reason, Nature, Truth, he dares not trust;
Ye fops be silent, and ye wits be just!'

-BOSWELL.

1 This shows how ready modern audiences are to condemn in a new play what they have frequently endured very quietly in an old one. Rowe has made 'Moneses'in Tamerlane die by the bowstring, without offence.-MALONE.

2 I know not what Sir John Hawkins means by the cold reception of Irene. I was at the first representation, and most of the subsequent. It was much ap plauded the first night, particularly the speech on tomorrow. It ran nine nights at least. It did not indeed become a stock play, but there was not the least opposition during the representation, except the first night in the last act, where Irene' was to be strangled on the stage, which John could not bear, though a dramatic poet may stab or slay by hundreds. The bowstring was not a Christian nor an ancient Greek or Roman death. But this offence was removed after the first night, and Irene' went off the stage to be strangled. Many stories were circulated at the time, of the author's being observed at the representation to be dissatified with some of the speeches and conduct of the play himself; and, like La Fontaine, expressing his disapprobation aloud.BURNEY.

Mr. Murphy, in his Life of Johnson, p. 53, says: The amount of the three benefit nights for the tragedy of Irene, it is to be feared, were not very

His

the principal end of the drama.1 Indeed, Gar-peared behind the scenes, and even in one of the rick has complained to me that Johnson not only side boxes, in a scarlet waistcoat, with rich had not the faculty of producing the impressions gold lace, and a gold-laced hat. He humorously of tragedy, but that he had not the sensibility observed to Mr. Langton, 'that when in that to perceive them. His great friend Mr. Wal- dress he could not treat people with the same mesley's prediction, that he would turn out a ease as when in his usual plain clothes.' Dress fine tragedy writer," was therefore ill-founded. indeed, we must allow, has more effect even Johnson was wise enough to be convinced that upon strong minds than one should suppose, he had not the talents necessary to write success- without having had the experience of it. fully for the stage, and never made another necessary attendance while his play was in reattempt in that species of composition. hearsal, and during its performance, brought him acquainted with many of the performers of both sexes, which produced a more favourable opinion of their profession than he had harshly expressed in his Life of Savage. With some of them he kept up an acquaintance as long as he and they lived, and was ever ready to show them acts of kindness. He, for a considerable time, used to frequent the Green Room, and seemed to take delight in dissipating his gloom by mixing in the sprightly chit-chat of the motley circle then to be found there. Mr. David Hume related to me from Mr. Garrick, that Johnson at last denied himself this amusement, from considerations of rigid virtue, saying, 'I'll come no more behind your scenes, David; for the silk stockings and white bosoms of your actresses excite my amorous propensities.'

When asked how he felt upon the ill success of his tragedy, he replied, 'Like the Monument;' meaning that he continued firm and unmoved as that column. And let it be remembered, as an admonition to the genus irritabile of dramatic writers, that this great man, instead of peevishly complaining of the bad taste of the town, submitted to its decision without a murmur. He had, indeed, upon all occasions a great deference for the general opinion: A man,' said he, 'who writes a book, thinks himself wiser or wittier than the rest of mankind; he supposes that he can instruct or amuse them, and the public to whom he appeals must, after all, be the judges of his pretensions.'

On occasion of this play being brought upon the stage, Johnson had a fancy that, as a dramatic author, his dress should be more gay than what he ordinarily wore; he therefore ap

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£384 17 0
Charges of the house........ 189 0 0
Profit.....
He also received for the copy

.£195 17 0
100 0 0
In all...........
£295 17 0'
In a preceding page (52) Mr. Murphy says: "Irene was
acted at Drury Lane on Monday, Feb. 6, and from that
time, without interruption, to Monday, February the
20th, being in all thirteen nights.'

On this Mr. Reed somewhat indignantly has written: 'This is false; it was acted only nine nights, and never repeated afterwards. Mr. Murphy, in making the above calculation, includes both the Sundays and Lent-days.'

The blunder, however, is that of the Monthly Re

viewer, from whom Murphy took, without acknowledgment, the greater part of his essay. M. R. vol. lxxvii. P. 135.-A. CHALMERS.

* Aaron Hill (vol. ii. p. 355), in a letter to Mr. Mallet, gives the following account of Irene, after having seen it-I was at the anomalous Mr. Johnson's benefit, and found the play his proper representative; strong sense ungraced by sweetness or decorum.'-BOSWELL.

CHAPTER VIII.

1750-1751.

IN 1750 Johnson came forth in the character for
which he was eminently qualified-a majestic
teacher of moral and religious wisdom. The
vehicle which he chose was that of a periodical
paper, which he knew had been upon former occa-
sions employed with great success. The Tatler,
Spectator, and Guardian were the last of the
kind published in England, which had stood
the test of a long trial; and such an interval
had now elapsed since their publication, as made
him justly think that, to many of his readers,
this form of instruction would in some degree
have the advantage of novelty. A few days
before the first of his Essays came out, there
started another competitor for fame in the same
form, under the title of The Tatler Revived,
which I believe was born but to die.'
son was, I think, not very happy in the choice
of his title The Rambler; which certainly is
not suited to a series of grave and moral dis-
courses, which the Italians have literally but
ludicrously translated by Il Vagabondo, and
which has been lately assumed as the denomi-
nation of a vehicle of licentious tales, The
Rambler's Magazine. He gave Sir Joshua
Reynolds the following account of its getting
this name:'What must be done, sir, will be
done. When I was to begin publishing that

John

1

paper, I was at a loss how to name it. I sat down at night upon my bedside, and resolved that I would not go to sleep till I had fixed its title. The Rambler seemed the best that occurred, and I took it." With what devout and conscientious sentiments this paper was undertaken, is evidenced by the following prayer, which he composed and offered up on the occasion :

'Almighty God, the giver of all good things, without whose help all labour is ineffectual, and without whose grace all wisdom is folly; grant, I beseech Thee, that in this undertaking thy Holy Spirit may not be withheld from me, but that I may promote thy glory, and the salvation of myself and others: grant this, O Lord, for the sake of thy Son Jesus Christ. Amen.' [Pr. and Med. p. 9.]

2

The first paper of the Rambler was published on Tuesday the 20th of March 1749-50; and its author was enabled to continue it, without interruption, every Tuesday and Saturday, till Saturday the 17th of March 1752, on which day it closed. This is a strong confirmation of the truth of a remark of his, which I have had occasion to quote elsewhere,3 that a man may write at any time, if he will set himself doggedly to it; for, notwithstanding his constitutional indolence, his depression of spirits, and his labour in carrying on his Dictionary, he answered the stated calls of the press twice a week from the stores of his mind, during all that time; having received no assistance, except four billets in No. 10, by Miss Mulso, now Mrs. Chapone; No. 30, by Mrs. Catherine Talbot; No. 97, by Mr. Samuel Richardson, whom he describes in an introductory note as 'an author who has enlarged the knowledge of human nature, and taught the passions to move at the command of virtue;' and Nos. 44 and 100, by Mrs. Elizabeth Carter.

Posterity will be astonished when they are

I have heard Dr. Warton mention that he was at Mr. Robert Dodsley's with the late Mr. Moore, and several of his friends, considering what should be the name of the periodical paper which Moore had undertaken. Garrick proposed the Salad, which by a curious coincidence was afterwards applied to himself by Goldsmith:

'Our Garrick's a salad, for in him we see
Oil, vinegar, sugar, and saltness agree!'

At last, the company having separated, without anything of which they approved having been offered, Dodsley himself thought of The World.-BOSWELL.

2 This is a mistake, into which the author was very pardonably led by the inaccuracy of the original folio edition of the Rambler, in which the concluding paper of that work is dated on 'Saturday, March 17.' But Saturday was in fact the fourteenth of March. This circumstance though it may at first appear of very little importance, is yet worth notice, for Mrs. Johnson died on the seventeenth of March.-MALONE.

Journal of a Tour to the Hebrides, 3d edit. p. 23.BOSWELL.

told, upon the authority of Johnson himself, that many of these discourses, which we should suppose had been laboured with all the slow attention of literary leisure, were written in haste as the moment pressed, without even being read over by him before they were printed. It can be accounted for only in this way: that by reading and meditation, and a very close inspection of life, he had accumulated a great fund of miscellaneous knowledge, which, by a peculiar promptitude of mind, was ever ready at his call, and which he had constantly accustomed himself to clothe in the most apt and energetic expression. Sir Joshua Reynolds once asked him by what means he had attained his extraordinary accuracy and flow of language. He told him that he had early laid it down as a fixed rule to do his best on every occasion, and in every company, to impart whatever he knew in the most forcible language he could put it in; and that by constant practice, and never suffering any careless expressions to escape him, or attempting to deliver his thoughts without arranging them in the clearest manner, it became habitual to him.1

Yet he was not altogether unprepared as a periodical writer; for I have in my possession a small duodecimo volume in which he has written, in the form of Mr. Locke's CommonPlace Book, a variety of hints for essays on different subjects. He has marked upon the first blank leaf of it, 'To the 128th page, collections for the Rambler;' and in another place, 'In fifty-two there were seventeen provided; in 97, 21; in 190, 25.' At a subsequent period, probably after the work was finished, he added, 'In all, taken of provided materials, 30.'

Sir John Hawkins, who is unlucky upon all occasions, tells us that this method of accumulating intelligence had been practised by Mr. Addison, and is humorously described in one of the Spectators [No. 46], wherein he feigns to have dropped his paper of notanda, consisting of a diverting medley of broken sentences and loose hints, which he tells us he had collected and meant to make use of. Much of the same kind is Johnson's Adversaria.' But the truth is, that there is no resemblance at all between them. Addison's note was a fiction, in which unconnected fragments of his lucubrations were purposely jumbled together in as odd a manner as he could, in order to produce a laughable effect; whereas Johnson's abbreviations are all distinct, and applicable to each subject of which the head is mentioned.

The rule which Dr. Johnson observed is sanctioned by the authority of two great writers of antiquity: Ne id quidem tacendum est, quod eidem Ciceroni placet, nullum nostrum usquam negligentem esse sermonem : quicquid loquemur, ubicunque, sit pro sua scilicet portione perfectum.' Quinctil. x. 7.-MALONE.

2 Hawkins's Life of Johnson, p. 263.-BosWELL.

For instance, there is the following speci- 196 of the Rambler. I shall gratify my readers with another specimen :

men:

'Youth's Entry, etc. 'Baxter's account of things in which he had changed his mind as he grew up. Voluminous. -No wonder.-If every man was to tell, or mark, on how many subjects he has changed, it would make vols., but the changes not always observed by man's self.-From pleasure to bus. [business] to quiet; from thoughtfulness to reflect. to piety; from dissipation to domestic. by impercept. gradat. but the change is certain. Dial non progredi progress. esse conspicimus. Look back, consider what was thought at some dist. period.

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Confederacies difficult; why.

'Seldom in war a match for single persons -nor in peace; therefore kings make themselves absolute. Confederacies in learning-every great work the work of one. Bruy. Scholars' friendapple of discord-the laurel of discord-the ship like ladies. Scribebamus, etc., Mart.1 The power of six geniuses united. That union scarce poverty of criticism. Swift's opinion of the not steady nature. Drawn to man by words, Possible. His remarks just ;-man, a social, Orb. drawn by attraction, repelled by passions.

Hope predom. in youth. Mind not willingly rep. [repelled] by centrifugal. indulges unpleasing thoughts.

The world lies

all enamelled before him, as a distant prospect
sun-gilt,' inequalities only found by coming to
it. Love is to be all joy-Children excellent—
Fame to be constant-caresses of the great-
applauses of the learned-smiles of beauty.
"Fear of disgrace-Bashfulness-Finds things
of less importance. Miscarriages forgot like
excellences;-if remembered of no import.
Danger of sinking into negligence of reputa-
tion ;-lest the fear of disgrace destroy activity.

'Confidence in himself. Long tract of life
before him. No thought of sickness. -Em-
barrassment of affairs.-Distraction of family.
Public calamities.-No sense of the prevalence
of bad habits. Negligent of time-ready to under-
take-careless to pursue-all changed by time.
'Confident of others-unsuspecting as unex-
perienced-imagining himself secure against
neglect, never imagines they will venture to
treat him ill. Ready to trust; expecting to be
trusted. Convinced by time of the selfishness,
the meanness, the cowardice, the treachery of

men.

'Common danger unites by crushing other passions-but they return. Equality hinders compliance. Superiority produces insolence and envy. Too much regard in each to private interest;-too little.

'The mischiefs of private and exclusive societies. The fitness of social attraction dif

fused through the whole. The mischiefs of too partial love of our country. Contraction of moral duties.—7 Q1201, où piños.

'Every man moves upon his own centre, and therefore repells others from too near a contact, though he may comply with some general laws.

'Of confederacy with superiors every one knows the inconvenience. With equals, no authority; every man his own opinion-his own

interest.

'Man and wife hardly united ;-scarce ever without children. Computation, if two to one federacies were easy-useless; many oppresses against two, how many against five? If conmany. If possible only to some, dangerous. Principum amicitias.'

Here we see the embryo of No. 45 of the 'Youth ambitious, as thinking honours easy Adventurer; and it is a confirmation of what I to be had.

'Different kinds of praise pursued at different periods. Of the gay in youth. dang. hurt, etc., despised.

shall presently have occasion to mention, that the papers in that collection marked T were written by Johnson.

This scanty preparation of materials will not, Of the fancy in manhood. Ambit.-stocks however, much diminish our wonder at the ex-bargains. Of the wise and sober in old age-traordinary fertility of his mind; for the proseriousness-formality-maxims, but generalonly of the rich, otherwise age is happy-but at last everything referred to riches-no having fame, honour, influence, without subjection to caprice.

'Horace.

'Hard it would be if men entered life with the same views with which they leave it, or left as they enter it.-No hope-no undertaking-no regard to benevolence-no fear of disgrace, etc. Youth to be taught the piety of age-age to retain the honour of youth.'

This, it will be observed, is the sketch of No. This most beautiful image of the enchanting delusion of youthful prospect has not been used in any of Johnson's essays.-BOSWELL.

portion which they bear to the number of essays which he wrote is very small; and it is remarkable, that those for which he had made no preparation are as rich and as highly finished as those for which the hints were lying by him. It is also to be observed, that the papers formed from his hints are worked up with such strength and elegance, that we almost lose sight of the hints, which become like 'drops in the bucket.' Indeed, in several instances, he has made a very slender use of them, so that many of them remain still unapplied.2

1 Lib. xii. 96. In Tuccam æmulum omnium suorum studiorum.'-MALONE.

2 Sir John Hawkins has selected from this little collection of materials what he calls the Rudiments of

As the Rambler was entirely the work of one man, there was, of course, such a uniformity in its texture as very much to exclude the charm of variety; and the grave and often solemn cast of thinking, which distinguished it from other periodical papers, made it for some time not generally liked. So slowly did this excellent work, of which twelve editions have | now issued from the press, gain upon the world at large, that even in the closing number the author says, 'I have never been much a favourite of the public.'

two of the papers of the Rambler.' But he has not

Yet, very soon after its commencement, there were who felt and acknowledged its uncommon excellence. Verses in its praise appeared in the newspapers; and the editor of the Gentleman's Magazine mentions, in October, his having received several letters to the same purpose from the learned. The Student of Oxford and Cambridge Miscellany, in which Mr. Bonnel Thornton and Mr. Colman were the principal writers, describes it as a work that exceeds anything of the kind ever published in this kingdom, some of the Spectators excepted-if, indeed, they may be excepted.' And afterwards: 'May the public favours crown his merits, and may not the

been able to read the manuscript distinctly. Thus he English, under the auspicious reign of George

writes, p. 266, Sailor's fate any mansion:' whereas the original is, Sailor's life my aversion. He has also transcribed the unappropriated hints on Writers for bread, in which he deciphers these notable passages, one in Latin, fatui non famæ, instead of fami non fame; Johnson having in his mind what Thuanus says of the learned German antiquary and linguist Xylander, who, he tells us, lived in such poverty, that he was supposed fami non famæ scribere; and another in French, Degenté de fate et affamé d'argent, instead of Dégouté de fame (an old word for renommé) et affamé d'argent. The manuscript being written in an exceedingly small hand, is indeed very hard to read; but it would have been

better to have left blanks than to write nonsense.BOSWELL.

1 The Ramblers certainly were little noticed at first. Smart, the poet, first mentioned them to me as excellent papers, before I had heard any one else speak of them. When I went into Norfolk, in the autumn of 1751, I found but one person (the Rev. Mr. Squires, a man of learning, and a general purchaser of new books) who knew anything of them. But he had been misinformed concerning the true author, for he had been told they were written by a Mr. Johnson of Canter

bury, the son of a clergyman who had had a controversy with Bentley, and who had changed the readings of the old ballad entitled Norton Falgate, in Bentley's bold style (meo periculo), till not a single word of the original song was left. Before I left Norfolk, in the year 1760, the Ramblers were in high favour among persons of learning and good taste. Others there were, devoid of both, who said that the hard words in the Rambler were used by the author to render his Dictionary indispensably necessary.-BURNEY.

It may not be improper to correct a slight error in the preceding note, though it does not at all affect the principal object of Dr. Burney's remark. The clergyman above alluded to was Mr. Richard Johnson, schoolmaster at Nottingham, who in 1717 published an octavo volume in Latin, against Bentley's edition of Horace, entitled Aristarchus Anti-Bentleianus. In the middle of this Latin work (as Mr. Bindley observes to me) he has introduced four pages of English critieism, in which he ludicrously corrects, in Bentley's manner, one stanza, not of the ballad the hero of which lived in Norton Falgate, but of a ballad celebrating the achievements of Tom Bostock, who in a sea-fight performed prodigies of valour. The stanza on which this ingenious writer has exercised his wit is as follows:

Then old Tom Bostock he fell to the work,

He pray'd like a Christian, but fought like a Turk. And cut 'em all off in a jerk,

Which nobody can deny,' etc.-MALONE.

the Second, neglect a man who, had he lived in the first century, would have been one of the greatest favourites of Augustus.' This flattery of the monarch had no effect. It is too well known that the second George never was an Augustus to learning or genius.

Johnson told me, with an amiable fondness, a little pleasing circumstance relative to this work. Mrs. Johnson, in whose judgment and taste he had great confidence, said to him, after a few numbers of the Rambler had come out, "I thought very well of you before; but I did not imagine you could have written anything equal to this.' Distant praise, from whatever quarter, is not so delightful as that of a wife whom a man loves and esteems. Her approbation may be said to 'come home to his bosom ;' and being so near, its effect is most sensible and per

manent.

Mr. James Elphinston, who has since published various works, and who was ever esteemed by Johnson as a worthy man, happened to be in Scotland while the Rambler was coming out in single papers at London. With a laudable zeal at once for the improvement of his countrymen and the reputation of his friend, he suggested and took the charge of an edition of those essays at Edinburgh, which followed progressively the London publication.'

The following letter written at this time, though not dated, will show how much pleased Johnson was with this publication, and what kindness and regard he had for Mr. Elphinston:

1 It was executed in the printing-offiee of Sands, Murray, & Cochran, with uncommon elegance, upon writing-paper, of a duodecimo size, and with the greatest correctness; and Mr. Elphinston enriched it with translations of the mottoes. When completed, it made eight handsome volumes. It is, unquestionably, the most accurate and beautiful edition of this work; and there being but a small impression, it is now become scarce, and sells at a very high price.-BOSWELL.

With respect to the correctness of this edition, the author probably derived his information from some other person, and appears to have been misinformed; for it was not accurately printed, as we learn from Mr. A. Chalmers.-J. BOSWELL.

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