Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
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Seite 89
... production is now inescapable : " Right - wing theatre has found its voice not in new work but in a particular style of reviving Shakespeare's plays , draining their social content and sentimentalising their psychology " ( Brenton 26 ) ...
... production is now inescapable : " Right - wing theatre has found its voice not in new work but in a particular style of reviving Shakespeare's plays , draining their social content and sentimentalising their psychology " ( Brenton 26 ) ...
Seite 94
... production is unbalanced given the fact that Littlewood did include touches of sentiment ( such as the highland lament sung over the bodies of Lady Macduff and her son by an anony- mous woman ) , but did so in parts of the play not ...
... production is unbalanced given the fact that Littlewood did include touches of sentiment ( such as the highland lament sung over the bodies of Lady Macduff and her son by an anony- mous woman ) , but did so in parts of the play not ...
Seite 246
... production of each play I discuss informs what I have said , but I have tried to restrict attention to effects practi- cable and plausible in Shakespeare's theatre . By attending to recent theatre practice , some check may be made on ...
... production of each play I discuss informs what I have said , but I have tried to restrict attention to effects practi- cable and plausible in Shakespeare's theatre . By attending to recent theatre practice , some check may be made on ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
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