Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
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Seite 69
... play's scene of recognition . Character , as it emerges from this play , is not co - extensive with its out- ward ... play's end the characters no longer dwell in an infinitely mutable world where identity seems as it does to Antipholus ...
... play's scene of recognition . Character , as it emerges from this play , is not co - extensive with its out- ward ... play's end the characters no longer dwell in an infinitely mutable world where identity seems as it does to Antipholus ...
Seite 138
... play ? 28 But the most blatant discrep- ancy comes from the last Chorus , which overturns the op- timistic mood with which the play closes and finally flouts the rules of the celebration game . The play's last speech , delivered by ...
... play ? 28 But the most blatant discrep- ancy comes from the last Chorus , which overturns the op- timistic mood with which the play closes and finally flouts the rules of the celebration game . The play's last speech , delivered by ...
Seite 344
... play's conclusion . The sheepshearing scene , both verbally and visually , powerfully evokes the sense of " great creating Nature ” ( IV . iv . 88 ) , hinted at in the imagery of the earlier acts and in Hermione's pregnan- cy , as the ...
... play's conclusion . The sheepshearing scene , both verbally and visually , powerfully evokes the sense of " great creating Nature ” ( IV . iv . 88 ) , hinted at in the imagery of the earlier acts and in Hermione's pregnan- cy , as the ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
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