Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
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... hand in a gesture that immediately defines the kind of dance he has in mind - the couple dance , which served as an icon of gendered comportment : " Come , my queen , " he orders , " take hands with me . " Oberon may use a more tactful ...
... hand in a gesture that immediately defines the kind of dance he has in mind - the couple dance , which served as an icon of gendered comportment : " Come , my queen , " he orders , " take hands with me . " Oberon may use a more tactful ...
Seite 42
... Hand in hand , with fairy grace , Will we sing , and bless this place . ( 11. 399-400 ) The " carole measure " of her couplets suggests that she dances a round with the fairies before they depart on Oberon's orders , whereas he merely ...
... Hand in hand , with fairy grace , Will we sing , and bless this place . ( 11. 399-400 ) The " carole measure " of her couplets suggests that she dances a round with the fairies before they depart on Oberon's orders , whereas he merely ...
Seite 69
... hand in hand , not one before another . ( 5.1.419-26 ) The perspective offered here differs remarkably from that in the first act . There Egeon had distinguished between his sons apparently on the basis of order of birth , Antipholus of ...
... hand in hand , not one before another . ( 5.1.419-26 ) The perspective offered here differs remarkably from that in the first act . There Egeon had distinguished between his sons apparently on the basis of order of birth , Antipholus of ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
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