Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
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Seite 144
... Richard the very arguments , and even the terms , by which the authoritative narrative voice in Hall's chronicle condemns her action . In Shakespeare's representation , it is Richard and not Elizabeth - or any of the women - who becomes ...
... Richard the very arguments , and even the terms , by which the authoritative narrative voice in Hall's chronicle condemns her action . In Shakespeare's representation , it is Richard and not Elizabeth - or any of the women - who becomes ...
Seite 165
... Richard's delight is genuine , however concealed beneath irony . Anne's love is not so much politically as psychologi- cally necessary for Richard — the way it is psychologically necessary for an actor . Anne is the " amorous looking ...
... Richard's delight is genuine , however concealed beneath irony . Anne's love is not so much politically as psychologi- cally necessary for Richard — the way it is psychologically necessary for an actor . Anne is the " amorous looking ...
Seite 166
... Richard's monstrosity , seen sympathetically , may simply have been maleness misunderstood , and the Duchess's " hellhound , " in Margaret's terms ( R3 4.4.48 ) , simply a male child asserting his energy in a display of teeth and feet ...
... Richard's monstrosity , seen sympathetically , may simply have been maleness misunderstood , and the Duchess's " hellhound , " in Margaret's terms ( R3 4.4.48 ) , simply a male child asserting his energy in a display of teeth and feet ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
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