Victorian SapphoPrinceton University Press, 08.03.1999 - 279 Seiten What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. |
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... Leap 185 Personifying the Poetess 209 Woman's Cause 225 CONCLUSION Epitaph 246 WORKS CITED 253 INDEX OF SAPPHIC FRAGMENTS AND TESTIMONIA 269 GENERAL INDEX 271 ILLUSTRATIONS FIGURE 1 : Frontispiece from Wharton's Sappho , fourth.
... leap by various Victorian poet- esses . By returning to the question of the name in each context , Victorian Sappho offers a more fully contextualized analysis of the structures of repetition outlined by Jacques Derrida in " Signature ...
... leap in women's verse from the early to the late nineteenth century . I refer back to Mary Robinson , L. E. L. and Felicia Hemans as important Romantic precursors for Victorian poetesses such as Christina Rossetti and Caroline Norton ...
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Verweise auf dieses Buch
Sapphic Primitivism: Productions of Race, Class, and Sexuality in Key Works ... Robin Hackett Eingeschränkte Leseprobe - 2004 |
Original Copy:Plagiarism and Originality in Nineteenth-Century Literature ... Robert Macfarlane Keine Leseprobe verfügbar - 2007 |