The British Essayists;: Spectator
J. Johnson, J. Nichols and son, R. Baldwin, F. and C. Rivington, W. Otridge and son, W.J. and J. Richardson, A. Strahan, R. Faulder, ... [and 40 others], 1808
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able acquaintance actions admired advantage affected agreeable appear arise attended bear beautiful believe body called cause character cheerfulness colours consider consideration conversation delight desire enter excellent eyes face fancy figure give given greater greatest hand happy hear heart honour hope human ideas imagination keep kind lady lately letter light live look manner matter means meet mention mind nature never objects observed occasion once particular pass passions perfection persons pleased pleasure poet present produce proper raise reader reason received reflections regard respect secret seems sense servant short side sight soul speak SPECTATOR spirits sure taken thing thought tion town turn virtue whole woman women writing young
Seite 131 - We cannot indeed have a single Image in the Fancy that did not make its first Entrance through the Sight; but we have the Power of retaining, altering and compounding those Images, which we have once received, into all the Varieties of Picture and Vision...
Seite 2 - Mirth is short and transient, cheerfulness fixed and permanent. Those are often raised into the greatest transports of mirth who are subject to the greatest depressions of melancholy. On the contrary, cheerfulness, though it does not give the mind such an exquisite gladness, prevents us from falling into any depths of sorrow. Mirth is like a flash of lightning that breaks through a gloom of clouds, and glitters for a moment ; cheerfulness keeps up a kind of daylight in the mind, and fills it with...
Seite 199 - And, missing thee, I walk unseen On the dry smooth-shaven green, To behold the wandering moon, Riding near her highest noon, Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bow'd, Stooping through a fleecy cloud.
Seite 132 - Besides, the pleasures of the imagination have this advantage above those of the understanding, that they are more obvious, and more easy to be acquired: it is but opening the eye, and the scene enters...
Seite 73 - ... shame; then shall you see either mine innocence cleared, your suspicion and conscience satisfied, the ignominy and slander of the world stopped, or my guilt openly declared.
Seite 262 - Curse not the king, no not in thy thought; and curse not the rich in thy bedchamber: for a bird of the air shall carry the voice, and that which hath wings shall tell the matter.
Seite 133 - Delightful scenes, whether in nature, painting, or poetry, have a kindly influence on the body, as well as the mind, and not only serve to clear and brighten the imagination, but are able to disperse grief and melancholy, and to set the animal spirits in pleasing and agreeable motions.
Seite 84 - Sedley* has that prevailing gentle art Which can with a resistless charm impart The loosest wishes to the chastest heart ; liaise such a conflict, kindle such a fire, Between declining virtue and desire, That the poor vanquish'd maid dissolves away In dreams all night, in sighs and tears all day.
Seite 149 - They have a word, it seems, in their language, by which they express the particular beauty of a plantation that thus strikes the imagination at first sight, without discovering what it is that has so agreeable an effect.
Seite 141 - One of the final causes of our delight in any thing that is great may be this. The Supreme Author of our being has so formed the soul of man, that nothing but himself can be its last, adequate and proper happiness. Because therefore a great part of our happiness must arise from the contemplation of his being, that he might give our souls a just relish of such a contemplation, he has made them naturally delight in the apprehension of what is great or unlimited.