Nature in Shakespearian TragedyCollier Books, 1962 - 189 Seiten |
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Seite 10
... Shakespeare apprehended them . And in trying to follow him , we must learn to recognize , very carefully , the ... Shakespeare and Paul Claudel , remarked that where the Shakespearian man was donné the Claudelian man was créé . In other ...
... Shakespeare apprehended them . And in trying to follow him , we must learn to recognize , very carefully , the ... Shakespeare and Paul Claudel , remarked that where the Shakespearian man was donné the Claudelian man was créé . In other ...
Seite 12
... Shakespeare nature is what he finds and accepts ; it is the point of his departure . Where another poet - Wordsworth , for example - looks through nature and beyond it , Shakespeare examines it at close range . I have suggested that we ...
... Shakespeare nature is what he finds and accepts ; it is the point of his departure . Where another poet - Wordsworth , for example - looks through nature and beyond it , Shakespeare examines it at close range . I have suggested that we ...
Seite 98
... Shakespeare's greatest play , and while I do not think that these comparisons get us very far , I have no quarrel with the preference . In Lear we do not get the whole of Shakespeare's vision , but then no single play would give us that ...
... Shakespeare's greatest play , and while I do not think that these comparisons get us very far , I have no quarrel with the preference . In Lear we do not get the whole of Shakespeare's vision , but then no single play would give us that ...
Inhalt
Introduction 9 | 9 |
Hamlet | 21 |
Macbeth | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Alonso already Antony and Cleopatra Antony's Ariel Banquo beast blood Cæsar Caliban Cassio castle character Claudius contrast Cordelia corrupted crime cynical death Desdemona divine Dover Wilson dramatic earth Edgar Edmund Elizabethan Emilia Enobarbus evil eyes father feel Ferdinand fool Fortinbras Ghost give Gloucester Gloucester's Goneril Gonzalo grace Hamlet hast hath heart heaven Horatio human Iago Iago's imagine innocent irony Kent kill King Lear Lady Macbeth Laertes Lear's look lord lust Macduff madness marriage Messenger mind Miranda moral murder mystery nature never night Notice once Ophelia Othello passion perhaps pity play poetry political Polonius Polonius's Prospero Queen realism reason Regan remember Rosencrantz and Guildenstern scene seen sense Shake Shakespeare Shakespearian sleep society soliloquy soul speak speare speech stage storm suggest surely tell Tempest theatre theatrical thee things thou thought tion tragedy truth unnatural witches word