Nature in Shakespearian TragedyCollier Books, 1962 - 189 Seiten |
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Seite 103
... Cordelia's love is expressed in sacramental and not in sentimental terms . To apply to her profession the canons of romantic emotionalism is disastrously to misconceive the nature of Shakespearian agape . The word bond has caused the ...
... Cordelia's love is expressed in sacramental and not in sentimental terms . To apply to her profession the canons of romantic emotionalism is disastrously to misconceive the nature of Shakespearian agape . The word bond has caused the ...
Seite 112
... Cordelia's letter . The speech is obscure ; but in terms of stage action I presume that Kent exclaims " I know ' tis from Cordelia " as he recognizes the seal and hand- writing ; that he then reads on for a few moments in silence before ...
... Cordelia's letter . The speech is obscure ; but in terms of stage action I presume that Kent exclaims " I know ' tis from Cordelia " as he recognizes the seal and hand- writing ; that he then reads on for a few moments in silence before ...
Seite 126
... Cordelia . Kent finds out his friend , and it is this character ( the unnamed Gentle- man ) who introduces us to Cordelia's pity , just as he had previously described to us Lear's despair . You have seen Sunshine and rain at once ; her ...
... Cordelia . Kent finds out his friend , and it is this character ( the unnamed Gentle- man ) who introduces us to Cordelia's pity , just as he had previously described to us Lear's despair . You have seen Sunshine and rain at once ; her ...
Inhalt
Introduction 9 | 9 |
Hamlet | 21 |
Macbeth | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Alonso already Antony and Cleopatra Antony's Ariel Banquo beast blood Cæsar Caliban Cassio castle character Claudius contrast Cordelia corrupted crime cynical death Desdemona divine Dover Wilson dramatic earth Edgar Edmund Elizabethan Emilia Enobarbus evil eyes father feel Ferdinand fool Fortinbras Ghost give Gloucester Gloucester's Goneril Gonzalo grace Hamlet hast hath heart heaven Horatio human Iago Iago's imagine innocent irony Kent kill King Lear Lady Macbeth Laertes Lear's look lord lust Macduff madness marriage Messenger mind Miranda moral murder mystery nature never night Notice once Ophelia Othello passion perhaps pity play poetry political Polonius Polonius's Prospero Queen realism reason Regan remember Rosencrantz and Guildenstern scene seen sense Shake Shakespeare Shakespearian sleep society soliloquy soul speak speare speech stage storm suggest surely tell Tempest theatre theatrical thee things thou thought tion tragedy truth unnatural witches word