 | Royal Irish Academy - 1858 - 662 Seiten
...eye— whose beauty, revealed in shadow more than in form—you have a peculiar characteristic—a form of beauty which belongs to no nation but our...to no portion of our nation but the Keltic portion. There are traces of it, faint and poor, but sufficient for identification, among the Kelts of Normandy... | |
 | Royal Irish Academy. Museum, William Robert Wilde - 1863 - 672 Seiten
...often the case in metal, this principle of the diverging spiral line is carried out in repuussee — when you have those singularly beautiful curves —...Oriental. There is nothing like it in Etruscan art; there ia nothing like it in German or Slavonic art ; there is little like it in Gallic or Helvetian art:... | |
 | Royal Geological Society of Ireland - 1864 - 334 Seiten
...often the case in metal, this principle of the diverging spiral line is carried out in repousse — when you have those singularly beautiful curves —...to no portion of our nation but the Keltic portion. There are traces of it, faint and poor, but sufficient for identification, among the Kelts of Normandy... | |
 | 1864 - 868 Seiten
...are not seen than in those that meet the eye, whose beauty, revealed in shadow more than form, — yn have a peculiar characteristic, a form of beauty which...to no portion of our nation but the Keltic portion. There are traces of it, faint and poor, among the Kelts of Normandy, and the Keltic Helvetians. But... | |
 | 1864 - 1010 Seiten
...seen than in those that meet the eye, whose beauty, revealed in shadow more than form, — you hnve a peculiar characteristic, a form of beauty which...to no portion of our nation but the Keltic portion. There are traces of it, faint and poor, among the Kelts of Normandy, and the Keltic Helvetians. But... | |
 | Joseph Anderson - 1881 - 310 Seiten
...spiral line is carried out in repousse, when you have those singularly beautiful curves, whose beautyis revealed in shadow more than in form, you have a peculiar...but our own, and to no portion of our nation but the Celtic portion. This beautiful pattern," he goes on to say, " is neither Greek nor Eoman nor Oriental.... | |
 | Alexander Mackenzie, Alexander Macgregor, Alexander Macbain - 1882 - 598 Seiten
...beautiful perhaps in the parts that are not seen than in those that .meet the eye — whose beauty is revealed in shadow more than in form — you have...portion of our nation but the Keltic portion. . , . The trumpet pattern is neither Greek, nor Roman, nor Oriental. There is nothing like it in Etruscan art... | |
 | Joseph Anderson - 1883 - 382 Seiten
...beautiful perhaps in the parts that are not seen than in those that meet the eye, and whose beauty is revealed in shadow more than in form — you have...but our own, and to no portion of our nation but the Celtic portion. It deals with curves which are not arcs of a circle ; its figures are not of the class... | |
 | Joseph Anderson - 1883 - 362 Seiten
...beautiful perhaps in the parts that are not seen than in those that meet the eye, and whose beauty is revealed in shadow more than in form — you have...but our own, and to no portion of our nation but the Celtic portion. It deals with curves which are not arcs of a circle ; its figures are not of the class... | |
 | Joseph Anderson - 1883 - 378 Seiten
...seen than in those that meet the eye, and whose beauty is revealed in shadow more than in form—you have a peculiar characteristic, a form of beauty which...but our own, and to no portion of our nation but the Celtic portion. It deals with curves which are not arcs of a circle; its figures are not of the class... | |
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... when you have those singularly beautiful curves — more beautiful, perhaps, in the parts that are not seen than in those that meet the eye— whose beauty, revealed in shadow more than in form — you have a peculiar characteristic — a form of... 