The Dramatic Works and Poems of William Shakespeare, with Notes, Original and Selected, and Introductory Remarks to Each Play, Band 1S. King, 1831 |
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Seite 4
... desire of seeing you . I readily allow to his own opinions , which have been attributed to that any distinct and subjoined reply to my remarks his compestor . on your notes is fair ; but to change ( in conse- quence of private ...
... desire of seeing you . I readily allow to his own opinions , which have been attributed to that any distinct and subjoined reply to my remarks his compestor . on your notes is fair ; but to change ( in conse- quence of private ...
Seite 5
... desire to render it useful and acceptable , the work would have been more worthy of the public favour , and of the Poet whom he and all unite in idolizing- The bard of every age and clime , Of genius fruitful and of soul sublime , Who ...
... desire to render it useful and acceptable , the work would have been more worthy of the public favour , and of the Poet whom he and all unite in idolizing- The bard of every age and clime , Of genius fruitful and of soul sublime , Who ...
Seite 46
... desire to give ; and much less take , What I shall die to want : But this is trifling ; And all the more it seeks to hide itself , The bigger bulk it shows . Hence , bashful cunning ! And prompt me , plain and holy innocence ! I am your ...
... desire to give ; and much less take , What I shall die to want : But this is trifling ; And all the more it seeks to hide itself , The bigger bulk it shows . Hence , bashful cunning ! And prompt me , plain and holy innocence ! I am your ...
Seite 55
... desire , natural to every performer , of facilitating his subsequent work by recurrence to his former ideas ; this recurrence produces that repetition which is called habit . The painter , whose work is partly intellectual and partly ...
... desire , natural to every performer , of facilitating his subsequent work by recurrence to his former ideas ; this recurrence produces that repetition which is called habit . The painter , whose work is partly intellectual and partly ...
Seite 56
... desire ? Once more adieu : my father at the road Expects my coming , there to see me shipp'd . Pro . And thither will I bring thee , Valentine . Val . Sweet Proteus , no ; now let us take our leave . To Milan , let me hear from thee by ...
... desire ? Once more adieu : my father at the road Expects my coming , there to see me shipp'd . Pro . And thither will I bring thee , Valentine . Val . Sweet Proteus , no ; now let us take our leave . To Milan , let me hear from thee by ...
Häufige Begriffe und Wortgruppen
art thou Banquo better Biron blood Boyet brother Caliban Claud Claudio Costard daughter death dost doth ducats Duke Enter Exeunt Exit eyes fair father Faulconbridge fear fool Ford fortune gentle gentleman give grace hand hath hear heart heaven Hermia hither honour husband Illyria Isab John Kath King lady Laun Leon Leonato live look lord Lucio Lysander Macb Macbeth Macd madam maid Malone Malvolio marry master master doctor means mistress Moth never night old copy reads Pedro Petruchio play Pompey pray prince Proteus SCENE servant Shakspeare Shakspeare's Shylock signior SIR ANDREW AGUE-CHEEK soul speak Steevens swear sweet tell thee there's Theseus thine thing thou art thou hast thought Thurio tongue Tranio true unto wife woman word
Beliebte Passagen
Seite 352 - Like the poor cat i' the adage? Macb. Prithee, peace I dare do all that may become a man; Who dares do more is none. Lady M. What beast was't then That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man. Nor time nor place Did then adhere, and yet you would make both: They have made themselves, and that their fitness now Does unmake you. I have given suck, and know How tender...
Seite 360 - The times have been That, when the brains were out, the man would die, And there an end ; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools.
Seite 352 - Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire ? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i
Seite 52 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Seite 30 - Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much. 'Tis true, and all men's suffrage.
Seite 223 - It blesseth him that gives and him that takes. 'Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Seite 10 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes Factotum, is in his own conceit the only Shake-scene in a country.
Seite 52 - Some heavenly music (which even now I do), To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Seite 254 - Our remedies oft in ourselves do lie, Which we ascribe to heaven : the fated sky Gives us free scope; only, doth backward pull Our slow designs, when we ourselves are dull.
Seite 352 - He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself.