Wife. There is some mystery Within your language, madam. I would hope You have more charity than to imagine My present condition worth your triumph, In which I am not so lost but I have Some friends and servants with proportion To my lord's fortune; but none within the lists Of those that obey me can be more ready To express their duties, than my heart to serve Your just commands. Queen. Then pride will ebb, I see ; Comes to the balance; he, whose blazing fires Queen. Your high and mighty justicer, Of state, whose honourable titles [mortal; Would crack an elephant's back, is now turn'd Father. Sir, your pardon. Madam, you are the queen, she is my daughter, The king is just, and a good man; but 't does not By her own grief: her lord's not yet found guilty, I am a man out of this element, Father. 'Cause you are a queen, to trample o'er Queen. Did you hear, my lord? Wife. And it concerns me to begin. I have not made this pause through servile fear, You are my queen, unto that title bows When just commands of you expect their service; Wife. So just and boldly innocent. I cannot fear, arm'd with a noble conscience, Queen. Forgive? What insolence is like this lanCan any action of ours be capable [guage? Of thy forgiveness? Dust! how I despise thee! Can we sin to be object of thy mercy? Wife. Yes, and have done 't already, and no stain To your greatness, madam; 'tis my charity, I can remit; when sovereign princes dare Do injury to those that live beneath them, They turn worth pity and their prayers, and 'tis In the free power of those whom they oppress To pardon 'em ; each soul has a prerogative And privilege royal that was sign'd by Heaven. But though, in th' knowledge of my disposition, Stranger to pride, and what you charge me with, I can forgive the injustice done to me, And striking at my person, I have no Commission from my lord to clear you for The wrongs you have done him, and till he pardon The wounding of his loyalty, with which life Can hold no balance, I must talk just boldness To say Father. Nomore! Now I must tell you, daughter, Lest you forget yourself, she is the queen, And it becomes you not to vie with her Passion for passion: if your lord stand fast To the full search of law, Heaven will revenge him, And give him up precious to good men's loves. If you attempt by these unruly ways To vindicate his justice, I'm against you; Dear as I wish your husband's life and fame, Subjects are bound to suffer, not contest With princes, since their will and acts must be Accounted one day to a Judge supreme. Wife. I ha' done. If the devotion to my lord, Or pity to his innocence, have led me Beyond the awful limits to be observed By one so much beneath your sacred person, I thus low crave your royal pardon, madam; [Kneels. I know you will remember, in your goodness, My life-blood is concern'd while his least vein Shall run black and polluted, my heart fed With what keeps him alive; nor can there be A greater wound than that which strikes the life Of our good name, so much above the bleeding Of this rude pile we carry, as the soul And France shall echo to his shame or innocence. Their way, and crystal Heaven return to chaos; ALEXANDER BROME. [Born, 1620. Died, 1666.] ALEXANDER BROME was an attorney in the Lord Mayor's Court. From a verse in one of his poems, it would seem that he had been sent once in the civil war (by compulsion no doubt), on the parliament side, but had staid only three days, and never fought against the king and the cavaliers. He was in truth a strenuous loyalist, and the bacchanalian songster of his party. Most of the songs and epigrams that were published against the Rump have been ascribed to him. He had besides a share in a translation of Horace, with Fanshawe, Holiday, Cowley, and others, and published a single comedy, the Cunning Lovers, which was acted in 1651, at the private house in Drury. There is a playful variety in his metre, that probably had a better effect in song than in reading. His thoughts on love and the bottle have at least the merit of being decently jovial, though he arrays the trite arguments of convivial invitation in few original images. In studying the traits and complexion of a past age, amusement, if not illustration, will often be found from the ordinary effusions of party ridicule. In this view the Diurnal, and other political satires of Brome, have an extrinsic value as contemporary caricatures. THE RESOLVE. TELL me not of a face that's fair, That like an angel sings; The glories of your ladies be Each common object brings. ON CANARY. Of all the rare juices That Bacchus or Ceres produces, That a fancy infuses, This first got a king, And next the nine Muses; "Twas this made old poets so sprightly to sing, Our cider and perry It stuffs up our brains with froth and with yest, Our drowsy metheglin Was only ordain'd to inveigle in The novice that knows not to drink yet, Have a gunpowder fury, But they won't long endure you. The bagrag and Rhenish You must with ingredients replenish; But 'tis sack makes the sport, In his high-shoes he'll have her; "Tis this that advances the drinker and drawer: Though the father came to town in his hobnails and leather, He turns it to velvet, and brings up an heir, TO A COY LADY. I PRITHEE leave this peevish fashion, Don't desire to be high prized; Love's a princely noble passion, And doth scorn to be despised. Though we say you're fair, you know We your beauty do bestow, For our fancy makes you so. Dont be proud 'cause we adore you, We do't only for our pleasure; And those parts in which you glory We by fancy weigh and measure. When for deities you go, For angels or for queens, pray know 'Tis our own fancy makes you so. Don't suppose your Majesty By tyranny's best signified, And your angelic Natures be Distinguish'd only by your pride. Tyrants make subjects rebels grow, And pride makes angels devils below, And your pride may make you so! THE MAD LOVER. I HAVE been in love, and in debt, and in drinkThis many and many a year; And those three are plagues enough, one would For one poor mortal to bear. [think, 'Twas drink made me fall into love, And love made me run into debt; And though I have struggled, and struggled and I cannot get out of them yet. [strove, There's nothing but money can cure me, And my mistress that cannot endure me, ROBERT HERRICK. [Born, 1501.] HERRICK'S vein of poetry is very irregular; but where the ore is pure, it is of high value. His song beginning, "Gather ye rose-buds, while ye may," is sweetly Anacreontic. Nichols, in his History of Leicestershire, has given the fullest account of his history hitherto published, and reprinted many of his poems, which illustrate his family connexions. He was the son of an eminent goldsmith in Cheapside, was born in London, and educated at Cambridge. Being patronised by the Earl of Exeter, he was, in 1629, presented by Charles I. to the vicarage of Dean Prior, in Devonshire, from which he was ejected during the civil war, and then having assumed the habit of a layman, resided in Westminster. After the Restoration he was replaced in his vicarage. To his Hesperides, or works human and divine*, he added some pieces on religious subjects, where his volatile genius was not in her ele ment. [* What is Divine' has much of the essence of poetry; that which is human, of the frailty of the flesh. Some are playfully pastoral, some sweetly Anacreontic, some in the higher key of religion, others lasciviously wanton and unclean. The whole collection seems to have passed into oblivion till about the year 1796, and since then we have had a separate volume of selections, and two complete reprints. His several excellences have preserved his many indecencies, the divinity of his verse (poetically speaking) the dunghill of his obscener moods. Southey, admitting the perennial beauty of many of his poems, has styled him, not with too much severity, 'a coarseminded and beastly writer.' Jones' Attempts in Verse, p. 85; see also Quar. Rev. vol. iv. p. 171.] SONG. GATHER ye rose-buds, while ye may, Old Time is still a flying; And this same flower that smiles to-day To-morrow will be dying. The glorious lamp of heaven, the Sun, The age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times, still succeed the former. Then be not coy, but use your time, And, whilst ye may, go marry; For having lost but once your prime, You may for ever tarry. TO MEADOWS. YE have been fresh and green, Ye have been fill'd with flowers; And ye the walks have been, Where maids have spent their hours. Ye have beheld where they The richer cowslips home. You've heard them sweetly sing, But now we see none here, Like unthrifts, having spent TO DAFFODILS. FAIR daffodils, we weep to see Until the hasting day Has run But to the even song; And having pray'd together, we Will go with you along. THE COUNTRY LIFE. SWEET country life, to such unknown To bring from thence the scorched clove: And, as thou look'st, the wanton steer, For sports, for pageantry, and plays, On which the young men and maids meet, ABRAHAM COWLEY. [Born, 1618. Died, 1667.] ABRAHAM COWLEY was the posthumous son of a grocer in London. His mother, though left a poor widow, found means to get him educated at Westminster School, and he obtained a scholarship at Cambridge. Before leaving the former seminary, he published his Poetical Blossoms. He wrote verses while yet a child; and amidst his best poetry as well as his worst, in his touching and tender as well as extravagant passages, there is always something that reminds us of childhood in Cowley. From Cambridge he was ejected, in 1643, for his loyalty; after a short retirement, he was induced by his principles to follow the queen to Paris, as secretary to the Earl of St. Albans, and, during an absence of ten years from his native country, was employed in confidential journeys for his party, and in deciphering the royal correspondence. The object of his return to England, in 1656, I am disposed to think, is misrepresented by his biographers: they tell us that he came over, under pretence of privacy, to give notice of the posture of affairs. Cowley came home indeed, and published an edition of his poems, in the preface to which he decidedly declares himself a quietist under the existing government, abjures the idea of all political hostility, and tells us that he had not only abstained from printing, but had burnt the very copies of his verses that alluded to the civil wars. "The enmities of fellow-citizens,” he continues, "should |