Essentials of Public Speaking: For Secondary SchoolsGinn, 1910 - 250 Seiten |
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Seite xiv
... Song of the Brook . Tennyson . 59 Sun of Liberty , The Hugo 181 University the Training Camp , The Grady 179 Wit and Repartee of Benedick and Beatrice , from " Much Ado about Nothing " . Shakespeare . 171 ESSENTIALS OF PUBLIC SPEAKING ...
... Song of the Brook . Tennyson . 59 Sun of Liberty , The Hugo 181 University the Training Camp , The Grady 179 Wit and Repartee of Benedick and Beatrice , from " Much Ado about Nothing " . Shakespeare . 171 ESSENTIALS OF PUBLIC SPEAKING ...
Seite 15
... song on C , E , and G of the musical scale . Follow this drill with the sounds of ā , ä , a , ō , given separately with tones placed as suggested . ( 7 ) For range and flexibility of voice : Sound the vowels ā , ē , i , ō , ū , oi , ou ...
... song on C , E , and G of the musical scale . Follow this drill with the sounds of ā , ä , a , ō , given separately with tones placed as suggested . ( 7 ) For range and flexibility of voice : Sound the vowels ā , ē , i , ō , ū , oi , ou ...
Seite 20
... song notes . Thus man and stand become män and ständ . Short a before r is quite often given as short e ( met ) . Thus mărry becomes měrry . Preserve the short sound in the following : and stand hand mad glad bad marry Harry Harrison ...
... song notes . Thus man and stand become män and ständ . Short a before r is quite often given as short e ( met ) . Thus mărry becomes měrry . Preserve the short sound in the following : and stand hand mad glad bad marry Harry Harrison ...
Seite 21
... sound is heard in accented syllables in which o is followed by f , ft , ss , st , n , ng , and g . long off cough loft cross lost loss cost song moss frost dog ( 11 ) The tendency to make vowels of unaccented QUALITY OF VOWEL SOUND 21.
... sound is heard in accented syllables in which o is followed by f , ft , ss , st , n , ng , and g . long off cough loft cross lost loss cost song moss frost dog ( 11 ) The tendency to make vowels of unaccented QUALITY OF VOWEL SOUND 21.
Seite 40
... song bird and the roar of the mountain storm , so different in significance , accord with na- ture's elements of expression . These elements are as old as nature itself . The principles of man's vocal art are no less traceable to nature ...
... song bird and the roar of the mountain storm , so different in significance , accord with na- ture's elements of expression . These elements are as old as nature itself . The principles of man's vocal art are no less traceable to nature ...
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Häufige Begriffe und Wortgruppen
accent action audience Beat blood breath Brutus Cassius cavities child consonants continuant sounds cried dead Degree of Pitch Degrees of Force Effusive Form elements elocution Emotive Emphasis exercise Explosive Form expression eyes face Falsetto following selection fool gesture give given hand hath head heard in nature heart Helon Illustrative Selection Inflection Inter-Parliamentary Union Intervals Julius Cæsar Lady Clare Lars Porsena larynx liberty Long Quantity Lord Macb Macbeth Mary Melody motley fool mouse Movement muscles musical scale Nasal nasal cavities notes of song notes of speech Orotund Pauses Pharynx Phrases pipe organ Plane position principles Quality resonance Ring scale Second Attitude SECTION Selection illustrating Semitone sentiment Shakespeare slide soft palate speaker speaking star Stress student Subtonic syllables thee thou tone Trachea turned utterance Vital nature vocal culture vocal organs voice vowels wave WILLIAM SHAKESPEARE words
Beliebte Passagen
Seite 103 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o' th' other senses, Or else worth...
Seite 230 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.
Seite 139 - Let it pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height.
Seite 187 - I am a Jew. Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge 1 if we are like you in the rest, we will resemble you in that.
Seite 227 - tis his will: Let but the commons hear this testament— Which, pardon me, I do not mean to read— And they would go and kiss dead Caesar's wounds And dip their napkins...
Seite 107 - How is't with me, when every noise appals me ? What hands are here ? ha ! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand ? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Seite 139 - Be copy now to men of grosser blood, And teach them how to war. And you, good yeomen, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding, which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot! Follow your spirit, and upon this charge Cry, "God for Harry! England and Saint George!
Seite 40 - Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it as you go On the light fantastic toe...
Seite 137 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Seite 182 - The waves were dead ; the tides were in their grave, The moon their mistress had expired before ; The winds were wither'd in the stagnant air, And the clouds perish'd ; Darkness had no need Of aid from them — She was the universe.