Figuring Genre in Roman Satire
Oxford University Press, 12.01.2006 - 190 Seiten
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons. First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic trains his readers to develop a critical perspective on every kind of authority, including his own.
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actors agenda Alcibiades allusion alter ego ambiguous analogy apologia associations attack audience behavior book’s Braund Calvinus chapter characters claim comic construction context crime criticism Cucchiarelli Damasippus Davus Democritus dialogue diatribe dicere didactic discourse dramatic Eupolis exlex Freudenburg functions genre genre’s Hooley Horace Horace plays Horace’s Horatian Horatian satire human images imagines interlocutor Juvenal Juvenal’s Juvenal’s satire Juvenalian satire Knotted Thong law’s lecture legal process literary Lucilian Lucilius Maecenas man’s metaphorical mime moral Naevolus narrative Old Comedy Oliensis passage performance Persius persona physical play poem poem’s poet poet’s poeta poetic poetry practice Priapus programmatic punishment reader reading relationship Rhetoric of Authority role Roman Satire Satire 16 satire’s Satires of Rome satiric violence satirist figure scenario scene sense Sermones 1.4 slave social society society’s speaker spectacle spectators status Stoic strategy targets teacher teaching Teiresias theater theatrical theme tion tradition Trebatius Trebius Umbricius vice writing