Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 141
... suggests two of the major themes of the play , transformation and love . The title's personification of love suggests the extent to which it serves not only as a static theme but as a dynamic player in the action of the play . Love is ...
... suggests two of the major themes of the play , transformation and love . The title's personification of love suggests the extent to which it serves not only as a static theme but as a dynamic player in the action of the play . Love is ...
Seite 145
... suggests , even the lower- class characters see language as playful and as a source for social advancement . No scene is without some exchange between characters that is primarily about exercising language creatively . The upper - class ...
... suggests , even the lower- class characters see language as playful and as a source for social advancement . No scene is without some exchange between characters that is primarily about exercising language creatively . The upper - class ...
Seite 214
... suggests , Venice , too , will self - destruct , and its innova- tive internationalist policies will be partly to blame . " Another poem , by I. Ashley , compares Venice to Narcis- sus , and predicts its ruin in its pride . All these ...
... suggests , Venice , too , will self - destruct , and its innova- tive internationalist policies will be partly to blame . " Another poem , by I. Ashley , compares Venice to Narcis- sus , and predicts its ruin in its pride . All these ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York