Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite xvii
... reference librarians and subject specialists from public , academic , and school library systems - represent a cross - section of our customer base and offer a variety of informed perspectives on both the presentation and content of our ...
... reference librarians and subject specialists from public , academic , and school library systems - represent a cross - section of our customer base and offer a variety of informed perspectives on both the presentation and content of our ...
Seite 82
... reference as well as through radically disjunctive styles of speech . The play's semantic economy of " ransom , " " angels " and of " debts " allows the easy passage between its material setting and biblical counterparts . But the play ...
... reference as well as through radically disjunctive styles of speech . The play's semantic economy of " ransom , " " angels " and of " debts " allows the easy passage between its material setting and biblical counterparts . But the play ...
Seite 318
... references to this edition will be indicated . by act , scene and line numbers . 9. Love's Labour's Lost , ed . Richard David ( The Arden Shakespeare , London , 1968 ) , IV.iii.337-37 . Subsequent references to this edition will be ...
... references to this edition will be indicated . by act , scene and line numbers . 9. Love's Labour's Lost , ed . Richard David ( The Arden Shakespeare , London , 1968 ) , IV.iii.337-37 . Subsequent references to this edition will be ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York