Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 56
... original act and state of creation be conceived . In The Comedy of Errors , various traces or " evidences " of this original state remain . If these evidences point to the original state of the play before it has been reworked , they ...
... original act and state of creation be conceived . In The Comedy of Errors , various traces or " evidences " of this original state remain . If these evidences point to the original state of the play before it has been reworked , they ...
Seite 57
... original created unity . The mere existence of dramatic conflict presupposes such unity , which becomes both the " lost " point of departure and the actual point of return for the play . While a state of separation and conflict may be ...
... original created unity . The mere existence of dramatic conflict presupposes such unity , which becomes both the " lost " point of departure and the actual point of return for the play . While a state of separation and conflict may be ...
Seite 61
... original play , or even because the genre of comedy will have it so . What is required to underpin the logic of the play is nothing less than an original unified act and state of creation . There is such a state of which Genesis speaks ...
... original play , or even because the genre of comedy will have it so . What is required to underpin the logic of the play is nothing less than an original unified act and state of creation . There is such a state of which Genesis speaks ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York