Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 102
... ladies has obviously been misplaced in the context where we find them . But the sharpness of the ladies remains characteristic after this point . " The tongues of mocking wenches are as keen / As is the razor's edge invisible ...
... ladies has obviously been misplaced in the context where we find them . But the sharpness of the ladies remains characteristic after this point . " The tongues of mocking wenches are as keen / As is the razor's edge invisible ...
Seite 103
... ladies , and he likes both to tease and to shock . But in any case what he must be hinting here is that Rosaline is promiscuous , and perhaps even that she has had an affair with him which will now be exchanged for one with Berowne ...
... ladies , and he likes both to tease and to shock . But in any case what he must be hinting here is that Rosaline is promiscuous , and perhaps even that she has had an affair with him which will now be exchanged for one with Berowne ...
Seite 119
... ladies and refer to them as celestial goddesses and queens . The lords ' slav- ish use of this conceit is part of their excessive wit and artifice , and it is one of the reasons why the ladies can- not believe they are in earnest ...
... ladies and refer to them as celestial goddesses and queens . The lords ' slav- ish use of this conceit is part of their excessive wit and artifice , and it is one of the reasons why the ladies can- not believe they are in earnest ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York