Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 23
... kind of marriage Adriana wants to have , we must first consider what kind of woman Adriana wants to be . V. " TWO PARTS IN ONE " Historically , as we have seen , Ephesus offers two female role models : the independent pagan Amazon and ...
... kind of marriage Adriana wants to have , we must first consider what kind of woman Adriana wants to be . V. " TWO PARTS IN ONE " Historically , as we have seen , Ephesus offers two female role models : the independent pagan Amazon and ...
Seite 171
... kind of a tutelary deity ( a reading strengthened , incidentally , by the association of the two sealed bags of ducats with testicles , hence , the protecting spirit of the paterfamilias ) Shylock finds cause for despair . In the ...
... kind of a tutelary deity ( a reading strengthened , incidentally , by the association of the two sealed bags of ducats with testicles , hence , the protecting spirit of the paterfamilias ) Shylock finds cause for despair . In the ...
Seite 257
... kind of private joke between Petruchio and Kate - or even have Petru- chio imply that by now he is thoroughly ashamed of himself . It does not , cannot , work . The play has changed key again : it has modulated back from something like ...
... kind of private joke between Petruchio and Kate - or even have Petru- chio imply that by now he is thoroughly ashamed of himself . It does not , cannot , work . The play has changed key again : it has modulated back from something like ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York