Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 24
... husbands as to the Lord , since , as Christ is head of the Church and saves the whole body , so is a husband the head of his wife ; and as the Church is subject to Christ , so should wives be to their husbands in everything . Husbands ...
... husbands as to the Lord , since , as Christ is head of the Church and saves the whole body , so is a husband the head of his wife ; and as the Church is subject to Christ , so should wives be to their husbands in everything . Husbands ...
Seite 67
... husband in meekness and patience and humility . An indifferent , uncaring , or domineering husband is not a good Christian . As evidence of this belief , John Haring- ton in a note to his translation of Orlando Furioso ( 1591 ) goes so ...
... husband in meekness and patience and humility . An indifferent , uncaring , or domineering husband is not a good Christian . As evidence of this belief , John Haring- ton in a note to his translation of Orlando Furioso ( 1591 ) goes so ...
Seite 69
... husband about the intimacy of marriage ( II.ii.110-46 ) , remarks which fall between Luciana's advice to the wife and Luciana's advice to the husband . So situated , Adriana's imperatives serve as the correc- tive of Luciana's opinions ...
... husband about the intimacy of marriage ( II.ii.110-46 ) , remarks which fall between Luciana's advice to the wife and Luciana's advice to the husband . So situated , Adriana's imperatives serve as the correc- tive of Luciana's opinions ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York