Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 74
... hand ? E. DROMIO : Nay , he's at two hands with me , and that my two ears can witness ( II.i.43-46 ) This " tardy master " now " at hand " recalls the familiar biblical anticipations of Apocalypse as " at hand " or " near , " in ...
... hand ? E. DROMIO : Nay , he's at two hands with me , and that my two ears can witness ( II.i.43-46 ) This " tardy master " now " at hand " recalls the familiar biblical anticipations of Apocalypse as " at hand " or " near , " in ...
Seite 75
... hand in hand " into the same " house " ( V.i.423-426 : " Syr . Dro : We'll draw cuts for the senior , till then , lead thou first . / Eph . Dro : Nay then thus : / We came into the world like brother and brother : / And now let's go ...
... hand in hand " into the same " house " ( V.i.423-426 : " Syr . Dro : We'll draw cuts for the senior , till then , lead thou first . / Eph . Dro : Nay then thus : / We came into the world like brother and brother : / And now let's go ...
Seite 241
... hand , in faith , ' tis a fair hand , / And whiter than the paper it writ on / Is the fair hand that writ " ( II.iv.12-14 ) . Portia's courtesy and politeness during both this scene and the casket scene ( II.vii ) contrast with the ...
... hand , in faith , ' tis a fair hand , / And whiter than the paper it writ on / Is the fair hand that writ " ( II.iv.12-14 ) . Portia's courtesy and politeness during both this scene and the casket scene ( II.vii ) contrast with the ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York