Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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... figure who may never actually appear on stage ( though she has been identified with that " Luce " -both " loose " and " light " -who bars the return of Ephesian Antipho- lus to his house in the scene just before ) . As a " witch " ( III ...
... figure who may never actually appear on stage ( though she has been identified with that " Luce " -both " loose " and " light " -who bars the return of Ephesian Antipho- lus to his house in the scene just before ) . As a " witch " ( III ...
Seite 338
... figure 22 : 339 ; 71 : 287 objectification of 43 : 329 ; 59 : 323 ; 65 : 290 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 ; 59 : 234 , 245 ; 71 : 236 as a Trojan 59 : 257 ...
... figure 22 : 339 ; 71 : 287 objectification of 43 : 329 ; 59 : 323 ; 65 : 290 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 ; 59 : 234 , 245 ; 71 : 236 as a Trojan 59 : 257 ...
Seite 391
... figure 22 : 339 ; 71 : 287 objectification of 43 : 329 ; 59 : 323 ; 65 : 290 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 ; 59 : 234 , 245 ; 71 : 236 as a Trojan 59 : 257 ...
... figure 22 : 339 ; 71 : 287 objectification of 43 : 329 ; 59 : 323 ; 65 : 290 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 ; 59 : 234 , 245 ; 71 : 236 as a Trojan 59 : 257 ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York