Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 176
... father , who rejects the particular symbolic exchanges in which Jessica participates . This is not to say , however , that Shylock himself is op- posed to symbolic capital tout court . The bond for Antonio's flesh , for example ...
... father , who rejects the particular symbolic exchanges in which Jessica participates . This is not to say , however , that Shylock himself is op- posed to symbolic capital tout court . The bond for Antonio's flesh , for example ...
Seite 239
... father , who will feel his son's skin and comment on his excess of ( facial ) hair . Their meeting includes this exchange : LAUN . Do you not know me father ? Thou wert then too near . This I think was it , That thy likenesse hit ...
... father , who will feel his son's skin and comment on his excess of ( facial ) hair . Their meeting includes this exchange : LAUN . Do you not know me father ? Thou wert then too near . This I think was it , That thy likenesse hit ...
Seite 299
... father if we agreed with the modern reader who claims that Katherina is a neurotic and unhappy human being because she has a tyrannical , a monstrously materialistic , or , even , an uncaring father . The difficulties of Baptista's role ...
... father if we agreed with the modern reader who claims that Katherina is a neurotic and unhappy human being because she has a tyrannical , a monstrously materialistic , or , even , an uncaring father . The difficulties of Baptista's role ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York