Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite viii
... examples below follow recommendations for preparing a bibliography set forth in The Chicago Manual of Style , 14th ed . ( Chicago : The University of Chicago Press , 1993 ) ; the first example pertains to material drawn from periodicals ...
... examples below follow recommendations for preparing a bibliography set forth in The Chicago Manual of Style , 14th ed . ( Chicago : The University of Chicago Press , 1993 ) ; the first example pertains to material drawn from periodicals ...
Seite 147
... example , the meadows are " painted " and the flow- ers are described metaphorically ( McLay 124 ) . The song of Winter , on the other hand , seems more “ natural ” and " merry . ” This could be taken to mirror the move- ment of the ...
... example , the meadows are " painted " and the flow- ers are described metaphorically ( McLay 124 ) . The song of Winter , on the other hand , seems more “ natural ” and " merry . ” This could be taken to mirror the move- ment of the ...
Seite 259
... example would be the speech by Grumio ( 1.2.29-35 ) which begins with colloquial prose and ends ' Whom would to God I had well knocked at first , / Then had not Grumio come by the worst ' - which may be verse , or may not . The opposite ...
... example would be the speech by Grumio ( 1.2.29-35 ) which begins with colloquial prose and ends ' Whom would to God I had well knocked at first , / Then had not Grumio come by the worst ' - which may be verse , or may not . The opposite ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York