Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite vii
... essays that discuss this theme with reference to all of Shakespeare's works . Following the topic entry are several ... essay or book precedes each piece of criticism . □ Critical essays are prefaced by Explanatory Notes as an vii Preface.
... essays that discuss this theme with reference to all of Shakespeare's works . Following the topic entry are several ... essay or book precedes each piece of criticism . □ Critical essays are prefaced by Explanatory Notes as an vii Preface.
Seite 8
... ( essay date 1997 ) SOURCE : Bevington , David . " The Comedy of Errors in the Context of the Late 1580s and Early 1590s . " In " The Comedy of Errors " : Critical Essays , edited by Robert S. Miola , pp . 335-53 . New York : Garland ...
... ( essay date 1997 ) SOURCE : Bevington , David . " The Comedy of Errors in the Context of the Late 1580s and Early 1590s . " In " The Comedy of Errors " : Critical Essays , edited by Robert S. Miola , pp . 335-53 . New York : Garland ...
Seite 167
... essay , Abrams examines Shakespeare's characterization of Antonio and Shylock , suggesting that Antonio's sadness is partially an affectation and that Shylock seeks love and understanding from Antonio and Bassanio . The following essay ...
... essay , Abrams examines Shakespeare's characterization of Antonio and Shylock , suggesting that Antonio's sadness is partially an affectation and that Shylock seeks love and understanding from Antonio and Bassanio . The following essay ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York