Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 55
... characters ' " free will , " a question remains as to what the characters do will in and through their actions . A contradiction may emerge within the same action between the will of a divinity shaping the end and the wilful rough ...
... characters ' " free will , " a question remains as to what the characters do will in and through their actions . A contradiction may emerge within the same action between the will of a divinity shaping the end and the wilful rough ...
Seite 145
... characters see language as playful and as a source for social advancement . No scene is without some exchange between characters that is primarily about exercising language creatively . The upper - class charac- ters have the luxury of ...
... characters see language as playful and as a source for social advancement . No scene is without some exchange between characters that is primarily about exercising language creatively . The upper - class charac- ters have the luxury of ...
Seite 158
... characters in the play are better than Shylock , the Christian characters not in the play are not . In his famous " Jew " speech and in his declamation on slavery to the court , Shylock adopts the strategy of equating Christian with Jew ...
... characters in the play are better than Shylock , the Christian characters not in the play are not . In his famous " Jew " speech and in his declamation on slavery to the court , Shylock adopts the strategy of equating Christian with Jew ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York