Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 15
... argues cogently that English imitations of Plautus and Terence were generally farces of trickery , as in Ralph Roister Doister and Gammer Gurton's Needle from the 1550s down through Lyly's Mother Bombie ( c . 1589 ) . 15. Turner ...
... argues cogently that English imitations of Plautus and Terence were generally farces of trickery , as in Ralph Roister Doister and Gammer Gurton's Needle from the 1550s down through Lyly's Mother Bombie ( c . 1589 ) . 15. Turner ...
Seite 154
... argues , Shakespeare criticized the worst elements of the emerging capitalist system . Cohen ad- ditionally stresses that while the play explores social and economic issues , it remains at its core a study of love , friendship , and ...
... argues , Shakespeare criticized the worst elements of the emerging capitalist system . Cohen ad- ditionally stresses that while the play explores social and economic issues , it remains at its core a study of love , friendship , and ...
Seite 183
... argues that " Shakespeare uses the Prodigal Son motif to reinforce the sympathies of the audience with his Christian characters and to condemn the self - righteousness of Shylock " ( 60 ) . 20. For a discussion of the interrelation ...
... argues that " Shakespeare uses the Prodigal Son motif to reinforce the sympathies of the audience with his Christian characters and to condemn the self - righteousness of Shylock " ( 60 ) . 20. For a discussion of the interrelation ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York