Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 208
... Portia poses as a male lawyer . Her " quality of mercy " speech is not recited as airy poetry , but as a desperate conversation with Shylock , as she tries to persuade him not to claim his pound of flesh because " earthly power " is ...
... Portia poses as a male lawyer . Her " quality of mercy " speech is not recited as airy poetry , but as a desperate conversation with Shylock , as she tries to persuade him not to claim his pound of flesh because " earthly power " is ...
Seite 224
... Portia invests in Bassanio's return to Venice , her confidence dazzles : " Pay [ the Jew ] six thousand , and deface the bond : Double six thousand , and then treble that . . . . / You shall have gold / To pay the petty debt twenty ...
... Portia invests in Bassanio's return to Venice , her confidence dazzles : " Pay [ the Jew ] six thousand , and deface the bond : Double six thousand , and then treble that . . . . / You shall have gold / To pay the petty debt twenty ...
Seite 235
... Portia's donning of men's clothes as a homoerotic allusion to Ganymede ( 57 ) , the invaginated figure might represent the heteroerotic ideal of " one sex , " especially once Portia reveals the wife's value as helpmate in reforming ...
... Portia's donning of men's clothes as a homoerotic allusion to Ganymede ( 57 ) , the invaginated figure might represent the heteroerotic ideal of " one sex , " especially once Portia reveals the wife's value as helpmate in reforming ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York