Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 278
... Kate merely as an extension of his own ego , just as her father saw her merely as a tool for improving his family fortunes . Although he has found a way to be Kate's mirror , his ego and control of the plot prevent Kate from returning ...
... Kate merely as an extension of his own ego , just as her father saw her merely as a tool for improving his family fortunes . Although he has found a way to be Kate's mirror , his ego and control of the plot prevent Kate from returning ...
Seite 322
... Kate " conforms to a social norm for the sake of appearance , while remain- ing free to be her own person in private . " " " But Maguire reads outside the bounds of the play , imagining an ex- tratextual existence for Kate and Petruccio ...
... Kate " conforms to a social norm for the sake of appearance , while remain- ing free to be her own person in private . " " " But Maguire reads outside the bounds of the play , imagining an ex- tratextual existence for Kate and Petruccio ...
Seite 326
... Kate , publicly married . 56 Of Stallybrass's three areas , it is the mouth that is perceived as most troublesome in Shrew . Kate , however , is implicated in all three either directly or indirectly : the verbal is obvious ; implied ...
... Kate , publicly married . 56 Of Stallybrass's three areas , it is the mouth that is perceived as most troublesome in Shrew . Kate , however , is implicated in all three either directly or indirectly : the verbal is obvious ; implied ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York