Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
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Seite 23
... Dromio's concern for his master was tellingly shown . To Antipholus ' reprise of Dromio's al- leged misdemeanours- " thou didst deny the gold's receipt , And tolds't me of a mistress , and a dinner " ( 2.2.17-18 ) -Dromio looked ...
... Dromio's concern for his master was tellingly shown . To Antipholus ' reprise of Dromio's al- leged misdemeanours- " thou didst deny the gold's receipt , And tolds't me of a mistress , and a dinner " ( 2.2.17-18 ) -Dromio looked ...
Seite 68
... Dromio meets Luce . As Dromio , off stage , regards Luce as some kind of witch , so here Antipholus of Syracuse speaks of Luci- ana as an enchanting mermaid or siren . He releases his erotic puns on " lie , " " light , " " hairs , " and ...
... Dromio meets Luce . As Dromio , off stage , regards Luce as some kind of witch , so here Antipholus of Syracuse speaks of Luci- ana as an enchanting mermaid or siren . He releases his erotic puns on " lie , " " light , " " hairs , " and ...
Seite 74
... Dromio's punning on a " thousand marks " ( I.ii.81-82 ) -both currency and signs of beating - links the money entrusted by Antipholus of Syracuse to his Dromio , the amount needed to ransom Egeon ( I.1.21 ) , and the beatings suffered ...
... Dromio's punning on a " thousand marks " ( I.ii.81-82 ) -both currency and signs of beating - links the money entrusted by Antipholus of Syracuse to his Dromio , the amount needed to ransom Egeon ( I.1.21 ) , and the beatings suffered ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
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actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York